A Quote by Hiroko Sakai
What I always say is that Japanese are like willow. We can be bent easily, but once you try to break us, it would not be so easy.
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Cogg would suddenly stand stock still. "Listen," he would say. Some feeble quack would be heard from the willow beyond the pond. "That's an easy one to tell. The frog-pippit." Then he would add, As a safety measure, "As I believe they call it in these parts."
The Japanese director Tadashi Suzuki once stated, 'International cultural exchange is impossible - therefore we must try.' I agree with all my heart. The impossibility of seeing beyond one's own cultural context is a political act in the world and has the potential to break down the rigid assumptions surrounding us.
The young bamboo can be easily bent, but the full grown bamboo breaks when it is bent with force. It is easy to bend the young heart towards God, but the untrained heart of the old escapes the hold whenever it is so drawn.
I don't speak Japanese, I don't know anything about Japanese business or Japanese culture. Apart from sushi. But I can't exactly go up to him and say "Sushi!" out of the blue. It would be like going up to a top American businessman and saying, "T-bone steak!
I am a willow of the wilderness,
Loving the wind that bent me.
Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah fuck that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.
Life wasn't easy growing up; it was frustrating. If I had been a better reader, then that would have come easily, sports would have come easily, everything would have come easily, and I never would have realized that the way you get ahead in life is hard work.
The method (of learning Japanese) recommended by experts is to be born as a Japanese baby and raised by a Japanese family, in Japan. And even then it's not easy.
The oak fought the wind and was broken, the willow bent when it must and survived.
As an artist, you are always striving toward an ultimate achievement but never seem to reach it. You shoot a film, and the result could have always been better. You try again, and fail once more. In some ways I find it enjoyable. You never lose sight of your goal. I don’t do my job to make money or to break box office records, I simply try things out. What would happen if I were to achieve perfection at some point? What would I do then?
I was so afraid that we would just keep colliding over and over again if we stayed together, and that eventually the impact would break me. But now I know I am like the blade and he is like the whetstone- I am too strong to break so easily, and I become better, sharper, every time I touch him.
There is a mental space that we consciously makes our way back to, and give honour to what has formed us in this mental homeland which we carry with us always. It is important not to try to annihilate it but to take your courage in your hands and go back, and then I think you can more easily make a new beginning. A lot of us would like to know how to do this.
Willow [Smith] started making music first. I was like, "My younger sister is, like, 4, and she's making all these fire songs. What's happening?" Willow was doing all these things, about to have record label deals at like the age of 6, and I was like, "I feel like I'm underachieving."
I thought,when I was reaching for my dream of making it to WWE, that once I got here, life would be perfect and easy. I had no idea that when I finally landed my big break, that was when the real work would begin.
The stuff I do and say onstage I can do easily. As a performer, that comes easily. But being social offstage, it's not easy for me.
The one that came really easy was the Japanese lover, because he's like a ghost in the book. He's always in the background like a spirit, like a shadow, almost. There's a very delicate line there.
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