A Quote by Hiromi Uehara

I'm hungry to learn, so I always have my big ears open fully, ready to learn every single minute when I play. — © Hiromi Uehara
I'm hungry to learn, so I always have my big ears open fully, ready to learn every single minute when I play.
I don't think that anyone learns anything. Well, I mean, you do always learn something if you have your eyes and ears open. You do learn something from every outing, every time that you go for it. But for me what actors do is interact and that's why you have to do that.
I learn from everybody I work with, and you learn, every single day. I can learn from anyone. Being fortunate enough to perform in front of a changing live audience, every night, you learn from everybody. Everyone has an opinion and they'll let you know.
Never stop believing in yourself; play with your qualities. You always have to keep making steps. Progress is everything. The big players, every season, they become a new player: they learn, and they learn. That's the key.
As long as I keep it real, I learn something from everyone. And when you view yourself as a student and not as somebody who's bigger, there is still learning that can be done every day, and that keeps you open-minded and more ready to learn about life and love.
You can learn a lot when you play in a little town in Holland or Western Australia, and you learn different things than you would learn playing a big city.
If you are open-minded and ready to learn, there are many things which you can learn not only from books and instructors but from the very life experience itself.
It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
Of course, if you have D. Wade on your team, he's the best closer in the history of this sport, so the ball needs to go in his hands, but I was always ready. I was always ready. I remember every time he would play pick-and-roll, he said, 'G, just be ready. Maybe you're going to be open. I need to hit you.'
Children are ready to learn when they are ready to learn, not necessarily when their parents are ready to teach them.
The public wants to understand and learn in a single day, a single minute, what the artist has spent years learning.
You learn every single day when youre running a company. You learn as you go.
You learn every single day when you're running a company. You learn as you go.
Only do it if you absolutely have to, because you are gonna eat rejection every single day. And it's not easy eating that rejection every single day because it hurts. You have to learn not to take it personally. And that is a very hard lesson to learn.
My form is more on the lines of a Chinese porcelain-jar juggler. They learn it as a child. They learn, learn, learn, learn - but not with a porcelain jar. Then, when they're ready to perform, they're taken to a museum, and they're given a porcelain jar for a lifetime to use. When they're done, it's returned to the museum.
People vary enormously in how they learn. Some learn through their eyes - by reading but also by responding to all kinds of visual information. Others learn mostly through their ears or touch or other senses.
We need to start work with the idea that we’re going to learn every day. I learn, even at my position, every single day.
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