A Quote by Hiromu Arakawa
And now, I'm thinking again, isn't there something we can do about something we can't do anything about?
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There's something about us using the word fascism and thinking about, "What is it? What does it mean, and what are the tenets of it?" I've been thinking a lot about folks denying what has happened in history, or just not acknowledging it. I think there's something that's fascist, and something that I think we could probably learn from, in terms of the energy in the world right now.
So if you're on the motorcycle, on the track you're not thinking at all about what's happening next week or tomorrow or anything. You're literally thinking about the turn you're setting up and there's something about that I find very cathartic and meditative.
Possibly. I know on set, they were talking about ‘oh, a sequel’ or something. That would be way down the road, because this one we just finished. So, [I’m] not even thinking about that again. But they could be thinking about it. That would be fun.
I didn't do anything. People are thinking that it's something serious; I have not put my hands on anyone, didn't put anyone in danger. Since I didn't do anything like that, I'm not thinking about it. If I didn't do anything, why should I think about it?
So when one thought goes into your mind, it’s not just one thought, it has to bounce off both hemispheres of the brain. When you’re thinking about something happy, you’re thinking about something sad. When you think about an apple, you also think about the opposite of an apple.
Keep reiterating, again and again, that depression is not something you 'admit to.' It is not something you have to blush about; it is a human experience. It is not you. It is simply something that happens to you.
Wherever you are in the world, there's always something about the Australian light. There's something about the sharpness of it, something about the clarity of it, something about the colours of Australia. And hopefully, something optimistic about Australian painting too.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.
In our male-oriented God phase, it's always about conquering and control of life and death. This power leads to a kind of thinking that is no thinking; it is only sterile and what can overcome. To reach that depth in terms of female divinity is to accept nurture as godly. It's not just something that your mom does for you when something's broken and you need a bandage; it's about something deeper and it is in contradistinction from the endless displays of power.
I never make a choice thinking about the results. I'm never gonna take a role or a project thinking where this could - what this could bring me or something like that, because you've got no control about anything, actually.
I enjoy thinking about ways to create something that other people have not even thought about, something no one has managed to achieve.
Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written.
On television, journalists now routinely appear on talk-shows-with-an-attitude where they are encouraged to say what they think about something they may not have finished thinking about.
Something like missing a shot, and the next play you're thinking about it, or you give up a play on defense and you're thinking about it, you're frustrated about it, what's happening is that you're really thinking about yourself. You're not connected to the team. And you have to be connected, or those few plays add up.
There's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
When I get in the car I love my wife and kids more than anything, but I'm not thinking about that side of things. I'm thinking about the car, I'm thinking about the race and I'm thinking about how to make the car faster.
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