A Quote by Hiroshi Sugimoto

I'm inviting the spirits into my photography. It's an act of God. — © Hiroshi Sugimoto
I'm inviting the spirits into my photography. It's an act of God.
Those men who laid the foundation of this American government and signed he Declaration of Independence were the best spirits the God of heaven could find on the face of the earth. They were choice spirits . . . noble spirits before God.
In this, photography is the same thing as love. When my gaze, diving into the sea as my subject, converges with the act of photography, hot sparks fly at the point of intersection.
Confession is the act of inviting God to walk the acreage of our hearts. “There is a rock of greed over here, Father. I can’t budge it. And that tree of guilt near the fence? Its roots are long and deep. And may I show you some dry soil, too crusty for seed?” God’s seed grows better if the soil of the heart is cleared.
Love is connected to the heart. When the Name of God Allah is synchronized with the heartbeat, it then travels through the blood to all the veins, reaches the spirits and awakens them. Then the spirits are rejuvenated and go into the Love of God.
There's a reductiveness to photography, of course - in the framing of reality and the exclusion of chunks of it (the rest of the world, in fact). It's almost as if the act of photography bears some relationship to how we consciously manage the uncontrollable set of possibilities that exist in life.
There were certain great principles involved in the organization of this earth, and one was that there might be a place provided whereon the children of our Heavenly Father could live and propagate their species and have bodies formed for the spirits to inhabit who were the children of God; for . . . He is the God and Father of the spirits of all flesh.
The God of heaven sent some of His choicest spirits to lay the foundation of this government. And he has sent other choice spirits to preserve it.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
The central act of photography, the act of choosing and eliminating, forces a concentration on the picture edge - the line that separates in from out - and on the shapes that are created by it.
The very act of representation has been so thoroughly challenged in recent years by postmodern theories that it is impossible not to see the flaws everywhere, in any practice of photography. Traditional genres in particular-journalism, documentary studies, and fine-art photography-have become shells, or forms emptied of meaning.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
So far as photography satisfied a wish, it satisfied a wish not confined to painters, but a human wish, intensifying since the Reformation, to escape subjectivity and metaphysical isolation - a wish for power to reach this world, having for so long tried, at last hopelessly, to manifest fidelity to another... Photography overcame subjectivity in a way undreamed of by painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the act of reproduction.
God must act and pour himself into you the moment he finds you ready. Don't imagine that God can be compared to an earthly carpenter, who acts or doesn't act, as he wishes; who can will to do something or leave it undone, according to his pleasure. It is not that way with God: where and when God finds you ready, he must act and overflow into you, just as when the air is clear and pure, the sun must overflow into it and cannot refrain from doing that.
In order to cooperate in the material worlds as agents of a divine power, the spirits temporarily have a material body. By the work required in their corporeal lives, the spirits improve their intelligence and, by observing God's law, they acquire the merits which will lead them to eternal happiness.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
Computer photography won't be photography as we know it. I think photography will always be chemical.
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