A Quote by Hiroyuki Sanada
I've done Last Samurai in Japan, in LA, in New Zealand. Even in Japan it is very hard to shoot, because there's been so many changes. Only around a temple can we shoot.
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I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
Even my most physical matches in New Japan have all been athletic contests, and generally, they've all been fair and square. It's been this new, strong style we've been trying to create in New Japan, with my own personal style.
One of the great tragedies is that there is so much less open land available in Japan today. Many Japanese come to New Zealand because of its beauty.
This is almost the most famous story The last samurai - Samurai story - in Japan.
I speak of the old Japan, because out of the ashes of the old Japan there has risen a new Japan.
I've done a lot of Samurai film in Japan, and sometimes done the choreography by myself.
I've been round Japan, Hong Kong, Korea, and China in the last few months and the message that I've been taking is that New Zealand is building an up market dynamic into a connected economy. And that we are not the old-fashioned, ship mutton kind of product the people associate their export in work.
I remember my very first encounter with Japan. At that time, I was Deputy Mayor of St Petersburg. Out of nowhere, Japan's Consul General in St Petersburg came to my office and said Japan's Ministry of Foreign Affairs wanted to invite me to Japan. I was very surprised because I had nothing to do with Japan except being a judoka. This was an opportunity to visit Tokyo and a couple of other cities. And, you know, a capital is a capital everywhere: there is the official script and certain protocol. It is always easier to talk in the provinces, the conversation is more natural.
Revolutionary war is an antitoxin that not only eliminates the enemy's poison but also purges us of our own filth. Every just, revolutionary war is endowed with tremendous power and can transform many things or clear the way for their transformation. The Sino-Japanese war will transform both China and Japan; provided China perseveres in the War of Resistance and in the united front, the old Japan will surely be transformed into a new Japan and the old China into a new China, and people and everything else in both China and Japan will be transformed during and after the war.
Even though Japan and Germany were not formal allies at the time that Japan conquered Shanghai in 1937, still, Frenchtown was an area that Japan could take complete control of - and they did. And it was the locus of nightlife.
I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
I spent a lot of time in Japan. To me, I felt like my career was kind of marooned out there. I didn't realize the extent of the reach that New Japan had in America and around the world.
I've been to New Zealand before, many times. And of course it has a significance to me because I do have something that's very special in New Zealand. I have '10 Guitars,' which is a very popular song, and I understand it's like the second national anthem over there.
I've always been really interested in the age of the samurai in Japan.
The comfort-women agreement that we made with Japan during the last administration is not accepted by the people of Korea, particularly by the victims. They are against this agreement. The core to resolving the issue is for Japan to take legal responsibility for its actions and to make an official apology. But we should not block the advancement of Korea-Japan bilateral relations just because of this one issue.
The new book is a result of my well-documented... absorption in Samurai movie culture. It's called 'The 47th Samurai: A Bob Lee Swagger novel,' and it takes Bob to Japan in search of the sword his father recovered on Iwo that has gone missing under extremely violent circumstances.
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