A Quote by Hisham Matar

When I first began writing In the Country of Men all I had was the voice of the protagonist. He intrigued me and my desire to want to know him and his world became almost compulsive.
What intrigued me about him was his intelligence, his humor. I'd been all over the world. I had started a career. At that point, I had sort of committed myself to not committing. I didn't want to have to raise a husband, but he was so sophisticated and so funny.
During this same year of 1896 another desire began to grow in me. I began to feel an ever greater yearning to love Jesus Crucified very much, and at the same time a desire to suffer with him and to help him in his sufferings.
Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.
Just having walked into a prison environment, sat there for two hours, the effect that it had on me. ... I couldn't imagine the effect it would have on a person 24 hours a day. So then I became more intrigued, and we began a correspondence, and I began visiting [Todd Willingham].
His books were part of him. Each year of his life, it seemed, his books became more and more a part of him. This room, thirty by twenty feet, and the walls of shelves filled with books, had for him the murmuring of many voices. In the books of Herodotus, Tacitus, Rabelais, Thomas Browne, John Milton, and scores of others, he had found men of face and voice more real to him than many a man he had met for a smoke and a talk.
Don't touch her," he growled. There was a note in his voice that would of scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions,and Dimitri began dispatching them with the same deadly grace that had once made people call him a god.
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
All I had when I began writing the first book was rather vague images conjured up by the notion of a man in a kilt, so essentially I began with Jamie, although I had no idea what his name was at the time.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
We [Americans] know Martin Luther King Jr. as a statue. We know him as a holiday. We know him as a speech. We don't know him as a man. Most people don't even know the whole speech, just "I have a dream." They don't know what his speaking voice was like, how he looked at his wife, or that he had four kids.
When I joined the SEALs, no one knew what a SEAL was. What intrigued me was the level of commitment, the love of country and desire to be the best in the world at your vocation. Watching American exceptionalism in action.
You know, you're not aware of it, but you're following the action of the film through the body of the protagonist, you know? You feel what he feels when he jumps, when he leaps, when he wins, when he loses. And I think I just took it for granted that, you know, we can all do that, but it became obvious to me that men don't live through the female characters.
What kind of plan B?" Hale asked. He was almost holding his breath when a voice answered, "My kind." Macey tried to read the look on his face then, but it was gone in a flash. It had been a simple moment of peace and joy and pure happiness. That voice made Hale happy. It kept him calm. It was his backup and his conscience. Macey couldn't help herself, she envied him.
Men didn't like to empty bedpans, so we made women nurses. Then men didn't like to do the administrative stuff, so women were allowed to become secretaries. That's the way they entered the work force. Then we began to educate them because they had to be educated. But it wasn't until after World War II that most of the great universities of this country became coeducational.
I'm quite a compulsive person-I only worked this out recently - I'm compulsive, but I'm also very indecisive. I don't know what I want, but I know that I want it now.
The Lord greatly loves the repenting sinner and mercifully presses him to His bosom: "Where were you, My child? I was waiting a long time for you." The Lord calles all to Himself with the voice of the Gospel, and his voice is heard in all the world: "Come to me, my sheep. I created you, and I love you. My love for you brought Me to earth, and I suffered all things for the sake of your salvation, and I want you all to know my love, and to say, like the apostles on Tabor: Lord, it is good for us to be with You."
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