A Quote by Hisham Matar
There are two voices: the first says write; the second hardly speaks, but I know what he wants. And if I let him, nothing would get done. He hovers at the edges.
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I believe Satan exists for two reasons: first, the Bible says so, and second, I've done business with him.
For an author to write as he speaks is just as reprehensible as the opposite fault, to speak as he writes; for this gives a pedantic effect to what he says, and at the same time makes him hardly intelligible.
There is first the literature of knowledge, and secondly, the literature of power. The function of the first is--to teach; the function of the second is--to move, the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.
All one wants to do is make a small, finished, polished, burnished, beautiful object . . . I mean, that's all one wants to do. One has nothing to say about the world, or society, or morals or politics or anything else. One just wants to get the damn thing done, you know? Kafka had it right when he said that the artist is the man who has nothing to say. It's true. You get the thing done, but you don't actually have anything to communicate, apart from the object itself.
Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."
When God would make His Name known to mankind He could find no better word than "I AM." When He speaks in the first person He says, "I AM"; when we speak of Him we say, "He is"; when we speak to Him we say, "Thou art." Everyone and everything else measures from that fixed point. "I am that I am," says God, "I change not."
Sometimes I get so tired of trying to convince him that I love him and shall love him for ever. He pounces on my words like a barrister and twists them. I know he is afraid of that desert which would be around him if our love were to end, but he can't realise that I feel exactly the same. What he says aloud, I say to myself silently and write it here.
If my forward arrives in a one vs one situation, I always say: 'let him work it out.' Then my players say: But we can help him!'. My reply is: First, there's a good chance you'll only run in his way, and as a second attacker you're drawing a second defender with you, and two vs two is harder than one vs one.'
If I were travelling with two partners, one virtuous and one dishonest, both would be useful as teachers. I would perceive what's good of the first one and I would imitate him whereas I would try to correct in me the defects I may see in the second one.
When we believe that God hears us, it is but natural that we should be eager to hear Him. Only from Him can come the word which can speak peace to troubled spirits; the voices of men are feeble in such a case, a plaster far too narrow for the sore; but God's voice is power, He speaks and it is done, and hence when we hear Him our distress is ended.
It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.
I'm the wife Spike Lee deserves. A white woman, which he says he would never be with, so let's get someone really white. I am Spike Lee's wife from Hell. I'm white and weird and I won't pay enough attention to him. If he does any more of those angry interviews, I'm going to write him and see if he wants the wife he deserves.
There are only 2 reasons that someone would want something in their life and not get it. First, they don't know what to do and second, they know what to do and don't know how to get themselves to do it consistently, if at all.
Nothing ever comes out the way I hope it will. That first vision, that initial vision you have of a book, what it's going to be like when it's done, it begins to go wrong the second you start to write.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
A man wants a woman who will place him at the top of his priority list, not second but first. He wants to be the kingpin around which all other activities of her life revolve.
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