A Quote by Hisham Matar

I admire Turgenev, Camus, Proust and Shakespeare, but I've also learnt a lot about writing from composers and artists. — © Hisham Matar
I admire Turgenev, Camus, Proust and Shakespeare, but I've also learnt a lot about writing from composers and artists.
Shakespeare was the Homer, or father of our dramatic poets;Jonson was theVirgil, the pattern of elaborate writing; I admire him, but I love Shakespeare.
I learnt a lot about myself, I learnt a lot about other people and the problems they have. If I was lucky enough to live to a hundred, how I will feel about two per cent of my life being that way, I don't know.
What I've learnt about artists over the years is, artists are usually the opposite to their music.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
As for the multiple editions, in the case of a truly great writer - Shakespeare, Emily Dickinson, Proust, someone with a canon - there is often a "variorum" edition of the work that presents its variants. I think publishing most other writing that way would be impossible, economically, for publishers, and very ill-advised for authors.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
My father spoke with something very similar to a 1920s newscaster type of English, and I learnt that accent of power in post-colonial Zimbabwe. So I learnt that, and I learnt how to copy it, and I learnt how to shift in and out of it, but also talk like my mother's relatives in the village.
More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.
Song-writing in general, and vocally I've learnt a lot about myself. I want to get better and keep learning.
Writers, Composers, Painters, - also artists like directors and actors fall into the same category. They have to be handled with kid gloves, mentally and physically
I believe, as artists, I do think we have a responsibility, and there's also a place for a lot of different artists. It is nice when music captures the honesty of the time but also what we're going through in that moment.
I've learnt a lot about certain things but you also learn through your own experience.
The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.
Proust is interested in minutiae because life, as he sees it, is seldom ever about things but about our impression of things, not about facts but about the interpretation of facts, not about one particular feeling but about a confluence of conflicting feelings. Everything is elusive in Proust because nothing is ever certain.
Now, I think you'll find a lot of rappers and artists are getting girl managers. It just makes sense. The guys in my team have learnt a lot from bringing girls in.
I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.
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