A Quote by Hiten Tejwani

There are many young and new directors, who have fabulous concepts and story ideas, and this is why I do their films. And the bottom line is, when I was a newcomer, someone gave me a chance too.
I'm the least confident person in so many ways. But I believed that if somebody gave me the chance to tell a story, I would tell a story [well enough] that the person who gave me the chance would get their money back.
When you build your network, keep yourself open to new ideas, concepts, and theories. Some of them may even contradict and challenge long-held points of view. This isn't beneficial only to someone in my profession, but to every line of work.
Directors like William Friedkin (Killer Joe), Steven Soderbergh (Magic Mike) and Lee Daniels (The Paperboy) got in touch with me and wanted me to be part of their films. That was a whole new chapter for me. I didn’t chase any of those films and it made me think that I was right to take a chance, say no to the kind of thing I had grown tired of doing, and wait until something good came around. And it did.
The bottom line is a record of ideas. The bottom line is a plan for how to get this country back on track. It's not about attendance - it's about goals and opportunity to move this nation forward.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
It's true that writing can give new forms to concepts that existed previously with far less clarity, but in terms of the other half of a story's story - the way a story is received and interpreted and used - the audience plays a part in that too.
Why? Why did you do this to me?" "He's going to come after me. He won't just kill me. He'll go after you, too." "That's right, He can't take the chance. I didn't tell you about it...why?" He repeated on a sob? "Why did you-" You wouldn't take me to New York" His mouth dropped open "NEW YORK?" he shouted. "You did all this because I wouldn't take, you to New York!
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
When thousands of people discover that their story is also someone else's story, they have the chance to write a new story together.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
When I came to the industry, many directors like Krishna Vamsi and Puri Jagannath had encouraged me a lot. Krishna Vamsi is my mentor, and I admire him. That's why I give chances to new directors.
Television and cable have become the new independent films, in a sense, for writers and actors to gravitate towards. That's why I like short films, too; I love doing readings, audio books, working with young filmmakers; anything that keeps you from getting blase about yourself or in a rut.
The reason why new concepts in any branch of science are hard to grasp is always the same; contemporary scientists try to picture the new concept in terms of ideas which existed before.
The Mumbai film industry has definitely a bigger reach. But considering the rich content of work in many Bengali films, even by new directors, there has to be a better financially backed distribution model for films here.
In Holland, I have got the buzz back playing as a centre-forward, which is where I perform best. Ajax always appealed to me from when I was young and they gave me a chance to play in the Champions League too.
I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.
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