A Quote by Hiten Tejwani
The audience does not want to watch the same show for three years or more.
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The audience makes the decision of what kind of actor they want to watch. I always have said in the last 20 years, the real boss is the audience.
I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
I didn't quite understand the DVD thing and why my husband was mailing it back. I couldn't quite wrap my head around it. But now that I'm deeply in, as a watcher of content, what a brilliant business model. As a consumer, it's empowering to choose what I want to watch and when I want to watch it. I have three small children, so I need that flexibility, in order to really get into a show. And being on a Netflix show, it's perfect timing. I feel so grateful.
It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
I don't want my shows to run for more than a year as you get bored doing the same role. But you don't want your show to end in three months either.
The days of holding the audience captive to watching television at times that programmers tell them they have to watch it are coming to an end. It's a new world, where the viewer and fan wants to watch whatever they want to watch, whenever they want to watch it.
On the Web you have to sum up what your piece of content is in one link or nobody is going to watch it. That's the same thing I've been hearing from TV executives - is we need a program that you can have on the side of a bus and someone can watch it go by and get what the show is and want to watch it.
I really loved the 'Sopranos' but didn't have HBO. So someone would send me tapes of the show with three or four episodes. I would watch one episode and go: 'Oh my God, I've got to watch one more.' I'd watch the whole tape and champ at the bit for the next one.
I'm watching the show and I'm watching the audience watch the show. Because once you leave the rehearsal room, you have space and you can see it. You can watch them watch it. You can't see your work, really, until you're in the theater. You have no perspective. That's not part of my job, to go, "Oh my God, they're so brilliant." I'm not required to swoon.
I find the film world very romantic. I want to try to be in more movies. When you're on a TV show and you do the same thing for years and years, it can get a little bit boring.
The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.
Even within the last three or four years, I have a greater ability to communicate, I think. I have more courage to show the stuff... And it does take courage.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
We want to offer people a show that doesn't insult their intelligence, and really, it's a fun show to watch. It's a fast-paced show to watch and has the best wrestling action, but also has the best wrestling personalities. I want everyone to know that AEW is for everybody.
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
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