A Quote by Hiten Tejwani
The people of U.P. are very simple and grounded. They take pleasure in admiring arts and cinema. This is why it is emerging as a big market for filmmakers.
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I have a very simple mantra and it's this: I want to make black cinema with the power, beauty, and alienation of black music. That's my big goal. The larger preoccupation is how do we force cinema to respond to the existential, political, and spiritual dimensions of who we are as a people.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
My view is that the U.S. market will eventually join the emerging markets on the downside because if you take a bearish view about emerging economies, you cannot be too optimistic about the U.S. because for many U.S. corporations, 50 percent or more of their profits come from emerging economies.
The Middle East would always be an important trading partner in just a market sense, like America is a big market for us, Asia is a big market, Europe is a big market. You are going to have hundreds of millions of consumers there, from just a standard market point of view, from a very narrow American point of view.
I'm still very bullish on emerging markets. There's an emerging middle class. They're a growing group of customers. And frankly, they want Walmart. They want everyday low price. And that's why we are continuing to grow in the emerging markets around the world, too.
We have filmmakers who make films with some kind of responsibility and take cinema seriously like Shyam Benegal, Govind Nihalani, Prakash Jha. But now these people also take stars Without stars they cannot work.
We have filmmakers who make films with some kind of responsibility and take cinema seriously like Shyam Benegal, Govind Nihalani, Prakash Jha. But now these people also take stars... Without stars they cannot work.
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
And if you think this young boy, from Dallas, Texas, is adding to the canon of theater arts, of performing arts, of cinema, well I'm humbled and I'm very excited.
When I was a young man, my friends and I and all of us in New York were very influenced by French cinema. French cinema played an enormous influence on those of us who wanted to be filmmakers.
Roger Ebert was such a champion of underrepresented filmmakers. He was a very big deal to me. It shows the power of critics. People who write about film, like you, can really affect the confidence of a young filmmaker. He did that for me, so it was such a pleasure to have an opportunity to talk about Roger in the movie.
All field sports people are doing is turning an inevitable necessity into a pleasure. If the animal is going to be killed anyway, why not take pleasure in it?
I was grounded in the performing arts from a very young age.
It's quite simple really. Being always transcends appearance-that which only seems to be. Once you begin to know the being behind the very pretty or very ugly face, as determined by your bias, the surface appearances fade away until they simple no longer matter. That is why Elousia is such a wonderful name. God, who is the ground of all being, dwells in, around, and through all things-ultimately emerging as the real-and appearances that mask that reality will fall away.
Most cinema is not about images but text. Why on earth have we based cinema on text? Why can't we break that umbilical cord? Why do we have to pollute cinema?
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