A Quote by Hiten Tejwani

I think when you play a negative character you cannot restrict yourself. You can go wild. — © Hiten Tejwani
I think when you play a negative character you cannot restrict yourself. You can go wild.
Associate yourself with people who think positively. You cannot surround yourself with negative people and expect positive outcomes.
Like, shopping, in a way, has the same dynamic as smoking. Because what happens in shopping is, you're bored, you're frustrated, you have this negative emotion and instead of letting the emotion play out, be honest, confronting it, and letting yourself feel pain, you go buy something that takes you out of yourself and feels fun and exciting. But you have to go back to yourself.
I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
Why can't the investment firm of I've Got More Than You'll Ever Have and I'm Laughing at You About It not build a highway or two if they think it might be a valuable investment? "Well, because then they own it and they can restrict who uses it!" And you think the government doesn't? (laughing) You talk about government owning and restricting people on things? The government restricts what you can say, they restrict what you can watch, they restrict now what you can eat, they restrict what your health care is gonna be, and you're worried about them restricting roads!
What do I think being wild is? Nothing. Actually, the whole world is wild. Everything is wild. There we go.
If you think you can temper yourself into manliness by sitting here over your books, it is the very silliest fancy that ever tempted a young man to his ruin. You cannot dream yourself into a character; you must hammer and forge yourself one.
I think in every character there are aspects of yourself that you bring to it. But then it would be really boring to just play yourself.
It's hard to say what you learn acting a part. You find bits and pieces of yourself that are inside the character you play. You locate the relatable aspects of that character to your own life. So, in a way, every part you play forces you to discover things about yourself you might not have learned otherwise.
I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.
Anything you can do to express yourself is a form of art. That's why I love my craft so much. I always wanted to play other artists. If I can't play an instrument, then I want to play a character that can. There is an artist behind everything, and I think that's beautiful.
I would love to play a negative guy, play the villain. It is always interesting to have shades to your character.
You cannot play the piano by telling a pianist what to do, go a little more to the left or to the right. And the same is for the computer, really. You have to play yourself to get the most out of it.
When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.
Don't go so deep in yourself that you no longer exist for your partner and for the character and for the play.
When you play a character, you bring yourself into the character. You get a chance to shine and show your translation for the character and her state of mind.
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