A Quote by Hiten Tejwani
With cinema it's a different ballgame, you really don't know how the audience will react, so one has to tread carefully.
Related Quotes
I don't really know how my family and friends will react to seeing me on screen in a cinema. I'm sure it'll be an odd experience for them, just like I'm sure it will be for me.
I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.
I decided that I have certain taste in cinema and I will take it forward. I know there is an audience for such cinema.
I love cinema. I think the risk of the aesthetics being fixed is compensated by other advantages. Cinema is visually powerful, it is a complete experience, reaches different audience. It's something I really like. I like movies.
You can have a good vibe and a good feeling about something, but you never really know how it's going to be received and how an audience is going to react to it.
The instincts and reaction and having to move - that's what football is. You have to learn how to deal with different adjustments, and know how to react to different types of plays. And do it on the fly.
You just never know how an audience is going to react.
I had seen 'Do the Right Thing' when I was at college, and it was incredibly inspiring as a piece of cinema. Just brilliant, I thought. But saw 'Malcolm X' with a crowded audience. It was my first time in an American cinema, hearing an audience respond. You know, in England, everyone is so restrained.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
The real mark of your character comes from not how you react to your successes, of which I know there will be many. How you react to your failures, of which there will be, if you are bold, a number in your lifetime.
Every single night I'm nervous. You never know how the audience is going to react.
I feel obligated to offer the audience a good fight, and I have a responsibility to entertain the fans. But I also can't make the mistake of underestimating that bull. I would be stupid if I did. No matter how well prepared I am for a bullfight, I never know what will happen in the ring. I don't know how the bull will react and whether he'll give me an opportunity to display my skills. Perhaps he'll be too stubborn for that. And then there's also the wind that makes me afraid. It's a torero's greatest enemy.
Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
What you feel and how you react to something is always up to you. There may be a "normal" or a common way to react to different things. But that's mostly just all it is.
We learnt a lot from doing Panto, actually back when we were still doing 'SMTV: Live.' We learnt how far we could push things and the show was all the better for that. I think that taught us you really have to know your audience because you could see how they would react to things.
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