A Quote by Holland Roden

I just always wanted to sit in a casting session and see all of the train wrecks that come in. — © Holland Roden
I just always wanted to sit in a casting session and see all of the train wrecks that come in.
You don't want to be the boy leaving Chelsea, you want to train like every session is your last session because you know you always have to prove something to people.
I randomly went to a casting session in my hometown in North Carolina, and the casting director introduced me to my manager. I really lucked into it!
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.
I don't like to watch train wrecks.
My casting in 'Halo' produced by Steven Spielberg, which I am doing, is just color-blind casting; Asians have been questioning why best roles should not come to them and I am so happy about this color-blind casting. I am going to be just what I am in that film.
Firstly, train lots. Secondly, train hard, the harder the better, no shortcuts. They will always come back to bite you when you least expect it. And third, always remember where you come from. Your parents, family, team, coaches, are the ones who will get you to where you are and will always be there for you.
Part of my function as a writer is to dream awake. And that usually happens. If I sit down to write in the morning, in the beginning of that writing session and the ending of that session, I'm aware that I'm writing. I'm aware of my surroundings. It's like shallow sleep on both ends, when you go to bed and when you wake up. But in the middle, the world is gone and I'm able to see better.
I just remember playing in my school and then getting invited to go along to train with a development squad at Reading. My first training session, the manager said, 'You have to come and play with the academy girls,' so that would probably be my first footballing memory.
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making.
As a performer, you can't just sit around waiting for the phone to ring. You have to write and develop projects for yourself, because casting people aren't always going to see you the way you want to be seen. Write a one-person show, shoot a short film, do plays, whatever - activity breeds activity. No one's interested in a stay-at-home actress.
I'm attracted to creative people and train wrecks, and there's no shortage of that in Los Angeles.
In the IPL the batters have to come at you, whereas in Test cricket they can sit on you for a full session if they want and if the pitch is dead there is nothing you can do about it.
If the opportunity came my way, if somebody wanted me to look over a script or sit in a room in sort of like a brainstorming session... I would certainly be open for that.
I think for me I've always loved being in the water and I love training and I love being at the pool so you know it's not a chore for me to go training, but come race day I would never just train to train - I train to race.
Another train will come. Why rush? Why worry? Why go crazy? Another train will come. And sure enough, another train going my way was pulling into the station. My bad mood evaporated. I entered the car smiling, certain that there would be more missed trains in my life, more closed doors in my face, but there would always be another train rumbling down the tracks in my direction.
My brother Gary, who was my coach, five years my elder, studied human movements at Queensland University in Brisbane. We used to train together every day, and we'd train for so long that at the end of a session, we would physically almost collapse.
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