A Quote by Holliday Grainger

It's always really surreal, being on a film set, but inside a beautiful, massive scene. — © Holliday Grainger
It's always really surreal, being on a film set, but inside a beautiful, massive scene.
Its always really surreal, being on a film set, but inside a beautiful, massive scene.
I think meeting someone like, meeting Sam Shepard, that was someone who was kind of important for me, because I'd read so much of his work and watched him as an actor since I was a kid, then being on set doing a scene with him and thinking, 'This is really surreal.'
Every film that you make has to have a scene that is the heart that blood flows through in every other scene. That scene doesn't always have to be in the beginning of the film. But it can also be at the end, or in the middle, and that can sometimes make the film more effective.
Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.
For me, whether or not a film has some kind of massive budget or is an independent film, or however it's getting made, it's always about the filmmaker and, hopefully, being a vessel for the filmmaker's vision. That's what really attracts me to projects.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
It's a surreal thing because you are there and made up and dressed up as if you're making the film. You do the scene, which is going to be in the film, and I met him [Daniel Craig] and I'm working with the director, and so it is different to just a normal audition.
Being on set is just a unique and surreal experience, and it's one I always dreamed about having. And then I had it.
Usually on a film set it's making sure that everyone is there for their scene, and the moment their scene is over they disappear.
The visual stuff just lives inside of you. As far as really being able to take care of an actor on a set, how to talk to an actor, and how to get what you need out of a scene is probably where I might know a thing or two. Although, in TV, the actors are pretty much left alone. It's really the writer's medium more than anything.
Find your inside beautyness. For me, being beautiful inside is more important that being beautiful outside. Make-up is so good for that because it helps to show your personality.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
I don't think about being beautiful or not being beautiful. ... It's more about feeling confident inside your own skin really and thinking about yourself as little as possible.
I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.
It's just really, really beautiful. Each scene is one long 15 minute take without cutting. My scene is with Robin Wright-Penn so I'm pretty excited about that.
Being on set is quite difficult, because it's so big and you've got to try and relax, which isn't easy when you know you're in a massive film. I was terrified for quite a long time.
This site uses cookies to ensure you get the best experience. More info...
Got it!