A Quote by Holliday Grainger
You'll always end up filling out a character. It might be with aspects of yourself.
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It's hard to say what you learn acting a part. You find bits and pieces of yourself that are inside the character you play. You locate the relatable aspects of that character to your own life. So, in a way, every part you play forces you to discover things about yourself you might not have learned otherwise.
On a train, why do I always end up sitting next to the woman who's eating the individual fruit pie by sucking the filling out through the hole in the middle?
What are the aspects of yourself that line up with the character? You magnify those, and the ones that don't match up you kind of kick to the curb.
I think it's hard to differentiate between your wrestling character and your real character - you kind of end up being both. I've always been my wrestling character in and out of the ring and in and out of the dressing room, and I was always really respected in the dressing room by the other wrestlers.
You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.
I think in every character there are aspects of yourself that you bring to it. But then it would be really boring to just play yourself.
I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.
When you wake up in the middle of the night and you hear a scary sound, you're not picturing yourself getting the girl, you're not picturing yourself winning the prize and becoming a hero. What makes you scared is the fear that you're gonna die, or that something horrific is gonna happen. So while I'm not opposed to happy ending, or wherever the story is naturally supposed to go-I do end up finding that I like movies where you almost end up feel, at best, that the character survived it more than championed over it.
If a character is going to end up one way, you start them a certain way. If they're gonna end up the polar opposite of that, you might start them differently to have dramatic integrity to their journey.
Time mellows people as it mellows wine, as long as the grapes are good. You may set out to be a businesswoman or businessman but in the course of time end up caring for a dying parent, orphaned niece, or disabled brother. You may encounter illness yourself and end up being a writer, touching the heartstrings, not the purse strings of other people. That's why it's best to always be true to yourself and God and to be flexible within His will. He will use you.
For me in a film, almost every scene you end up cutting a bit of the start of it out, and some of the end of it out because there's always...once you've rehearsed it and shot it, it feels like a couple of times and you can always get out sooner.
Your destination might not end up being exactly what you envisioned to start with, but if you stick it out and work through the challenges, what you end up with will be far better than you could have ever imagined.
You can spend a bit of yourself when you give yourself to a character. At the end of a job, you have to remind yourself who and what you are.
A car produces about one pound of CO2 per mile. There is no problem with collecting the CO2 in the tailpipe, but one might easily end up with a trailer hitched to the car for carrying all this CO2 back to the filling station. The gas burned from a 15-gallon tank would fill up five 60-inch-tall gas bottles.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
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