From a writer's standpoint, each character and story presents its own unique challenges and delights. I'm deeply curious about all of my characters, and I love peeling away their layers to see what's underneath their skin, or secreted deep within their hearts.
One day you fall for this boy. And he touches you with his fingers. And he burns holes in your skin with his mouth. And it hurts when you look at him. And it hurts when you don’t. And it feels like someone’s cut you open with a jagged piece of glass.
Pet the cat dude," says Sam. "She brought you a present. She wants you to tell her how badass she is." "You are a tiny tiny killing machine." Daneca coos. "What's she doing?" I ask. "Purring!" says Daneca. She sounds delighted. "Good kitty. Who's an amazing killing machine? That's right. You are! You are a brutal brutal tiny lion! Yes, you are.
Peeling off my skin / leaving just my eyes behind / You see inside my head / Still know that you are mine.
The (editing) work was like peeling an onion. The outer skin came off with difficulty... but in no time youd be down to its innards, tears streaming from your eyes as more and more beautiful reductions became possible.
It hurts more than anything in the world because even though it might not be the case, it feels like you've chosen your child over me. 'I haven't there is no choice. She's part of me. You're part of me too. It's like...I don't know...asking me to pick between my heart and my lungs.' 'I know, but the thing is, you are my heart and my lungs. You're everything to me. And what hurts is that I know i used to be everything to you.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.
When it comes to the skin, there are two possible ways to tighten it up: surgery, or develop the muscle underneath! It is like blowing up a balloon underneath some wrinkly sheets. It eventually pulls them tight!
Grace. I held on to that name. If I kept that in my head, I would be OK. Grace. I was shaking, shaking; my skin peeling away. Grace. My bones squeezed, pinched, pressed against my muscles. Grace. Her eyes held me even after I stopped feeling her fingers gripping my arms. Sam," she said. "Don't go.
Well, you have now, Sam, dear Sam,' said Frodo, and he lay back in Sam's gentle arms, closing his eyes, like a child at rest when night-fears are driven away by some loved voice or hand. Sam felt that he could sit like that in endless happiness.
Living in New York, there's so much pollution, it's really good to just give your skin a reboot and get off all those dead skin cells. Then, moisture is everything just because my skin gets dried out so much from putting on makeup and pulling it off all day that I love face masks.
I think of my work as a kind of peeling back of the wallpaper of today to reveal the histories buried underneath.
Conscience is that which hurts when everything else feels marvelous.
To speak of oneself means to lay bare one's own soul, expose it like a body to the sun. To lay bare one's own soul is not at all like taking off one's brassiere on a crowded beach!
Then I strip the pants away from each leg, like peeling a banana. That's it, the perfect metaphor: peeling a banana.