A Quote by Holly Black
But if you didn't believe in monsters, then how were you going to be able to keep safe from them?
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We welcome the National Rifle Association here to Indianapolis. It's tens of thousands of freedom loving Americans. I was grateful to be able to speak to them and interact with them and I really do believe that the right of law-abiding citizens to keep and bear arms makes our communities more safe, not less safe.
I'm sure everybody looked at me cockeyed. But if you don't believe it, then it's not going to happen. If you don't believe it, no one else is going to believe it. But if you believe it and keep saying it, then slowly one person will believe you, then two, then three, then four . . .
People tell their children there are no monsters in the world. They tell them that because they believe it, or they want the child to feel safe. But there are monsters, Luke, all the more frightening because they look like people.
If we are going to keep patients safe, then we have to make sure that doctors are able to learn from mistakes.
I think all kids understand from a very tender age that dinosaurs were real. They really walked around. That instantly sets them apart from monsters. And it instantly makes them safe. Because you can love 'em, and they're never going to bite you. They're not like a dog. They're safer than a pet, in a weird way.
I don't disagree with Senator Paul's position that we shouldn't be funding our enemies. But I absolutely believe that Israel is a priority to be able to fund and keep them strong and safe after eight years of this administration.
But these weren't the kind of monsters that had tentacles and rotting skin, the kind a seven-year-old might be able to wrap his mind around-they were monsters with human faces, in crisp uniforms, marching in lockstep, so banal you don't recognize them for what they are until it's too late.
I had come to discover that "safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust.
My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
Whatever decisions I make are going to be based first on a strategy to keep us safe and then we'll figure out how to resource it.
There's a lot of fear connected with the inner journey because it penetrates our illusions. Taking the inner journey will lead you into some very shadowy places. You're going to learn things about yourself that you'll wish you didn't know. There are monsters in there-monsters you can't control-but trying to keep them hidden will only give them greater power.
My career has been very strange. My career is like a heart monitor. I get involved in a good project now and then to keep things going. And then I make things that I work on that I hope are going to be good so I can make a living and keep a roof over the heads of those little monsters I have in my house.
An unlikely source of inspiration? My nieces and nephews. I feel encouraged to keep going because I know that if I keep going, then I can tell them to keep going.
Stop being frightened. You only see a monster because they want you to see monsters everywhere. They've conditioned you to look for monsters in every shadow, every coat hung on every door. As long as we keep seeing monsters, we'll continue to need protection and that's how other people get to control our lives.
The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.
The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.
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