A Quote by Holly Branson

I want to make sure that when I walk down the aisle, I can see all my best friends, and I want to see their faces smiling back at me and not any random people. — © Holly Branson
I want to make sure that when I walk down the aisle, I can see all my best friends, and I want to see their faces smiling back at me and not any random people.
I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young sons become men.
I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young [sons] become men.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
To walk down the aisle and see all my friends and family and to see my handsome man standin' there, and to know that at 61 you can still find love and have a magical day like that ... it was really beautiful.
I don't look at paparazzi photos. And most of my friends don't want to be photographed, so they walk four feet to the side. If you see a photo of me laughing, that's why - because my friends don't want to walk with me.
I often do crazy siren noises, or, like, a high-pitched dolphin, just to make sure that all my range is there. I make random noise and blurt out random sounds, to make sure I get rid of any bad nerves. I want to make sure to feel as confident as possible.
After the season I always go back to my country and try to make the kids happy. That's the best feeling for me, when I see those smiling faces on the kids and you know how excited they are.
Things like dating, family, and friends are just so valuable to me and I didn't want to put any strain on any of those relationships and you can see how the cameras around people can make people a little bit loopy. I didn't want to bring that into my life.
I want to hear raucous music, to see faces, to brush against bodies, to drink fiery Benedictine. Beautiful women and handsome men arouse fierce desires in me. I want to dance. I want drugs. I want to know perverse people, to be intimate with them. I never look at naive faces. I want to bite into life, and to be torn by it.
We as fighters always want to fight the best possible opponents and the best fights. We want the fans and media to be excited about the fights that we have. I now believe that this is a big fight and people want to see it, I'm not sure that was the case a few years back.
We want to see a struggle. We want to see people falling over but getting themselves back up on their feet, and that's what's extraordinary- ordinary people and their struggle. There's nothing as interesting as real life out your window. You walk down the street for half an hour, I'll give you half an hour of drama.
When I would walk down the runway back in the late 90s, I could feel the tension from others who knew I was transgender. I could see the joy on the faces of people from my community, elated to see someone represent them.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we're really like. I loved 'Bridesmaids'. I thought it was the most honest portrayal of female friendship in such a long time.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
As I die, and my life flashes before my eyes, I want to see who made faces at me when I turned my head. That's all I want to see.
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