A Quote by Holly Hunter

The rhythm of my career has always been very static, staccato and then silent, and then a lot of work, and then none — © Holly Hunter
The rhythm of my career has always been very static, staccato and then silent, and then a lot of work, and then none
The rhythm of my career has always been very static, staccato and then silent, and then a lot of work, and then none.
Like other parties of the kind, it was first silent, then talky, then argumentative, then disputatious, then unintelligible, then altogether, then inarticulate, and then drunk. When we had reached the last step of this glorious ladder, it was difficult to get down again without stumbling.
Here's the way Static-X has always worked: I write all the songs by myself - totally and completely by myself - I give demos to the other guys, and then they add their parts to it, and then we argue about stuff and compromise and it turns out being Static-X.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
In my career, there've been three stages really. There's been the stage when you come into a team, you don't feel the nerves, you just go out and play. Then through your 20s you start thinking a lot more about the games and what's at stake. And then, as you get more experienced towards the end of your career, you enjoy it a lot more and you're a lot more relaxed.
Speaking for myself, but [Kriota] probably [agrees], I don't do different things because I have to, but certainly my career's taken a lot of twists and turns because things work out for a while and then something shifts and they don't. I went into illustration as a way of supporting my comics career. Then I got really interested in performance and I knew that was always going to be more of a hobby, but that's something I've kept doing.
My career has been very strange. My career is like a heart monitor. I get involved in a good project now and then to keep things going. And then I make things that I work on that I hope are going to be good so I can make a living and keep a roof over the heads of those little monsters I have in my house.
From the age of four or five. I went to see a lot of Westerns then. But it was silent movies and I loved everything that happened then.
If he was silent I could be silent too. Indeed, I could very well do with a little rest in this subdued, frightened-to-death rocking chair, before I drove to wherever the beast's lair was - and then pulled the pistol's foreskin back, and then enjoyed the orgasm of the crushed trigger.
I'm a character actress, plain and simple... Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.
My career has been: first you have to prove yourself, then there's the sophomore record, then there's this thing and that thing, and you always want to be understood.
And people are always saying: 'Well, you go to Hollywood and you get yourself a film career or a TV series, and then you can do anything you want. Because then you've got the clout.' That had always sounded like a lot of hooey to me, but now I think it's true, unfortunately.
I hope, my career is never predictable. And my interests are diverse in that way. I feel very lucky that when I'm burnt out of acting I take to the pen and I write something I want to direct. And then when I'm tired of taking on too much responsibility as a director I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
If there is to be no satisfaction in pleasure, none in wisdom, none in ambition, none in the golden mean, what then? Ah, where then? In duty. In doing right because it is right.
I did a film very quickly, and then a lot of work for television, and then I did stage work.
Lemurs are good parents but they do it in different ways. I originally studied father care. I was very interested in that and we saw that a lot of these animals that lived in pairs and the father wasn't doing anything at all for the first month. But then suddenly, when the baby got to be a certain weight then the dads chipped in and started carrying the babies which was very nice. And then if there was twins or triplets then they helped.
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