A Quote by Holly Hunter

'Top Of The Lake' is a great story with a beginning, and a middle and an end, about darkness - it's like the heart of darkness. And everybody has got one. When I was reading it, I couldn't put it down, and I wanted to know what was going to happen next.
The point about a great story is that it's got a beginning, a middle and end.
I think predictability is built into any good novel in some way - you begin reading Anna Karenina and you know pretty much what's going to happen at the end. But that doesn't mean you know what's going to happen in the middle. For me, it's that sense of what happens in the middle that's important.
It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it's only a passing thing, this shadow. Even darkness must pass.
Everybody's darkness is different. My darkness came from my mom having pancreatitis and almost dyin'. And what I noticed was that the darkness ain't goin' nowhere.
You've got to be one that, wherever you are, like a flower, you've got to blossom where you're planted. You cannot eliminate darkness. You cannot banish it by cursing darkness. The only way to get rid of darkness is light and to be the light yourself.
I am reading The Lord of the Rings. I suddenly wanted to. I almost know it by heart, but I can still sink right into it. I know no other book that is so much like going on a journey. When I put it down to this, I feel as if I am also waiting with Pippin for the echoes of that stone down the well.
Don't be afraid, the darkness you're in is no greater than the darkness inside your own body, they are two darknesses separated by a skin, I bet you've never thought of that, you carry a darkness about with you all the time and that doesn't frighten you...my dear chap, you have to learn to live with the darkness outside just as you learned to live with the darkness inside
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
The great thing about a trilogy is that it feels like you've got a beginning, a middle, and an end.
I'd like to know about some of the things that they teach down there, like building a lake. If I ever wanted to build a lake, I'd like to know how to do it.
God seeks to influence humanity. This is at the heart of the Christmas story. It is the story of light coming into the darkness, of a Savior to show us the way, of light overcoming the darkness, of God's work to save the world.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
When you make a thriller/horror, darkness is [your] friend, because it lets the imagination go wild and what not. So you always end up going into darkness.
I see at last that all the knowledge I wrung from the darkness - that darkness flung me - Is worthless as ignorance: nothing comes from nothing The darkness from the darkness. Pain comes from the darkness And we call it wisdom. It is pain.
I wanted to know what it was like to be a drug addict, and have an eating disorder, and have a loved one die, and fall in love. I saw my friends going through these things, I saw the world going through these things, and I needed to understand them. I needed to make sense of them. Books didn’t make me wallow in darkness, darkness made me wallow in books, and it was books that showed me there is light at the end of the tunnel.
Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.
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