A Quote by Holly Hunter
I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal.
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I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal
This stage in the life of the buzz is truly fabulous. It’s not even a buzz anymore. It’s a roar. The world opens up and everything’s yours right here, right now. You’ve probably heard the expression—All good things must come to an end. Well, this stage in the life of the buzz never heard anything close to that. This stage says, 'I will never end. I am indestructible. I will last fabulously forever.' And, of course, you believe it. To hell with tomorrow. To hell with all problems and barriers. Nothing matters but the Spectacular Now.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
I would say the three stages of making a film are the initial 'are we gonna do this,' 'how much will I be paid,' is there a lot of nights, who's it going to be with? The second stage of doing a film is how much fun your going to have doing it. The third stage is was the film a hit?
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
You should make an effort on stage because it's a performance. The stage should be glittery and camp, but I don't go down the shops in full stage gear.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it
go.
Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.
People seem to have acquired the idea that they have the inalienable right to stroll through life without either having sweated, picked up anything heavy, worked hard, or eaten less than they wanted at every meal. This approach is, of course, wrong. And it has resulted in a lot of expensive, unattractive, and entirely preventable problems amongst people who seem puzzled about why things aren't going well.
When you've travelled for 34 years as a musician, you do all the culture stuff when you're young and full of energy. In the middle stage, you indulge too much and are scared of daylight. Then, in the final stage, you've seen it all, so you tend to take things a lot easier.
I am finding I have to watch what I am doing otherwise I may as well be in full-time football again and, while I'm available if something interesting comes up to take me to the end of the season, I don't want a long-term commitment at this stage in my life.
Well it was a lot fun with John Boy and stuff, but I always knew that I wanted to be on the front of the stage even when I was playing drums. I don't have anything against John Boy, I just wanted to be on the front of the stage.
During one performance of 'Les Miserables,' the barricade didn't leave the stage, so we had to actually end up finishing the second act with the barricades on the stage, which was very strange... doing the love scene on the barricade.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
Once you do a piece on the stage, you become that poem or you become that piece. That's really who you are. I think that's why some artists have stage names, you know? I don't have a stage name, it's pretty much just me.
Well, just coming off the stage and there's like 180,000 people out there and your adrenaline is going so high, and you're doing so much and it's hard to just put your head on the pillow and sleep because it just goes on and on, even after you're off the stage.
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