A Quote by Holly Hunter

People think I disappear sporadically, but I just do projects that don't get international acclaim. — © Holly Hunter
People think I disappear sporadically, but I just do projects that don't get international acclaim.
I get commercial acclaim because of critical acclaim and it is a chain reaction.
It is my dream to get international acclaim. In the current scheme of things you need not go anywhere else because great films are being made in Malayalam.
Everyone wants to be liked, so of course you want critical acclaim. After that, box office acclaim isn't bad. More than anything I think you have to try and make something you're proud of.
The trick to being a good actor is getting so involved in your character that the camera disappears, the 50 bored guys eating doughnuts disappear, friends disappear. To get to that point when you don't have to think about it, you're just acting and reacting in those circumstances.
I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.
While many federal agencies are engaged with international partners on science and technology projects, there is a need to coordinate these projects across our government network and to identify opportunities for additional beneficial collaborations.
People tend to disappear from showbiz because they cant wait between two projects, which often takes a lot of time.
One of the wonderful things about 'Jason Bourne' and that franchise is getting to work the same people sporadically and over the course of many years. I'm not so keen on having to get to know a whole group of people.
I have a broad view that we have to try and get to "yes" on projects. On economic projects anybody can say no. My child can say no. But I think the hard thing to do is to figure out how you get to "yes" and you protect the environment.
If you look at the international markets, for projects that are capital-intensive, the minute the construction phase is completed and production is supposed to start, normally all these loans get refinanced.
In the early 1990s, when a lot of the developing world opened up to international capital flows... they ended up in very good long-term projects, but projects that weren't going to pay off for five or 10 or 20 years.
What other people think of me is not my business. What I do is what I do. How people see me doesn't change what I decide to do. I don't choose projects so people don't see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system.
There's not always going to be something out there for you, especially not a positive role, so once you get up there and start being well known, you can't just think projects will come to you. You have to start doing your own projects because if you don't, you'll miss out, and eventually your fame will be over.
Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
They are damn good projects - excellent projects. That goes for all the projects up there. You know some people make fun of people who speak a foreign language, and dumb people criticize something they do not understand, and that is what is going on up there - God damn it!
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