A Quote by Holly Hunter

To me, being creative is a very fragile thing. The environment in which one can create is a very particular one, and somehow, I've always felt the need to be very protective of that.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
You must somehow understand that we as horsemen can do very little to teach the horse. What we can do is to create an environment in which he can learn.
I'm always interested in the way people speak and move in their environment, in a very particular environment. I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the any novel is a local thing always.
Teachers, who are really good create that environment where you can be very satisfied by the process of learning. If you do something and you find it a very satisfying experience then you want to do more of it. The great teachers somehow convey in their very attitude and their words and their actions and everything they do that this is an important thing you're learning. You end up wanting to do more of it and more of it and more of it. That's a real talent some people have to convey the importance of that and to reflect it back to the students.
I got hit in the face with a gun. I'm not very fragile at all. It makes me think maybe things would be easier if I were terribly frail and fragile somehow.
My concerts are about me being very private in public, but I'm very protective.
I was pretty lucky, I went to a really great school. I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
Early on, I played a Chinese delivery person, and even that, which was very innocuous, felt like I was somehow betraying myself. I felt very self-conscious on set doing that role, with a crew that was almost entirely white.
To be a good human being is to have a kind of openness to the world, an ability to trust uncertain things beyond your own control, that can lead you to be shattered in very extreme circumstances for which you were not to blame. That says something very important about the condition of the ethical life: that it is based on a trust in the uncertain and on a willingness to be exposed; it’s based on being more like a plant than like a jewel, something rather fragile, but whose very particular beauty is inseparable from that fragility.
I was a very, I think, lonely kid, very introspective. I felt very much at odds with my environment and my culture... Probably a genetic flaw. I can't really explain it.
To me, music and songwriting is... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words.
Everyone who's recognized me has been very nice, which I'm very grateful for. It's kind of thrust me into this world of being known, which is a good thing and a bad thing.
'The Lobster' is very particular, and we did need to create a very specific world with specific rules so the whole premise would work.
One thing that was very important to me was that I felt comfortable in the lab from being very, very small. I knew that that's where I belonged, and I could fix things and move things. And no matter how many classrooms I went into where I was the only girl in the physics class or whatever, I never questioned the fact that I didn't belong there.
I think that gulf is what makes the work interesting, but as a creator it's endlessly frustrating because I'm starting out with this goal, this thing I'm trying to create, and then the thing I actually do create is very, very different. It's always painful, in some ways, especially when it's just finished.
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