A Quote by Holly Hunter

This is one of the reasons I like to act - it's because acting forces you into situations you don't know. — © Holly Hunter
This is one of the reasons I like to act - it's because acting forces you into situations you don't know.
With acting, I've always gotten by in life acting in situations. I'm a small person. I didn't have a chance to be a bully. But I could always act myself out of tough situations.
When child actors act well they're just reacting to situations, and they're acting very real because their life experience is so short; there's no history to fall back on.
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
I've probably had my best time acting - or not acting, or trying to not act - on things like 'The Low Down' or 'Treacle Jr.' I'm happiest doing things like that. Not just because they're lead roles, but because there's more freedom in them.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
Some actors get by with behaving, not acting. You've got to sell the effect. I act more in the 'Nightmare' movies because it's not like me. I'm acting, not reacting.
Most of the problems in life are because of two reasons, we act without thinking or we keep thinking without acting.
I approach my life with logic. I do not act on impulse or emotion. I very seldom find that I say, 'And then I can't think what came over me, but I did this or that or the other.' I nearly always know how I will act and I nearly always act in that way. I don't catch myself out in embarrassing situations because I've acted without forethought. I calculate what I will do.
The great task of statesmanship is to apply past lessons to new situations, to draw correct analogies to understand and act upon present forces, to recognise the need for change.
I feel the reasons my songs might seem dark is because of how I viewed the situations I was in and it was just something I always felt like documenting.
Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations.
She didn't need to go to acting school to learn that the essence of acting is to act like you're not acting.
Who do you think, as you gaze at the entire scene in Washington, who is it that's acting like a bunch of children? It isn't Trump. Who is it throwing the tantrums because they didn't get their way? Who is it acting like hysterical spoiled brats because their side lost the game? Who is it that's insisting, because they lost the game, that the rules be changed? Who is it that's acting like any average eight- to nine-year-old kid who's told he can't have any more Twinkies or whatever kids - marijuana; I don't know.
Although we're acting, and our minds know that we're acting, our bodies don't quite know that we're acting. So even when you're watching someone acting like they're dying, your body has like a true real response to it.
It's funny because I've resisted acting as a career for most of my life. But both my parents told me if I ever want to direct, I should act first because no director should direct until they know what it's like to be in the actor's shoes.
In my stand up, I think I try to be less energetic because I feel embarrassed about how much enthusiasm I have. There's something about acting like I don't care, or if I act like I haven't spent enough time on it, it seems to go better. If I act like I'm really trying to sell it, it doesn't go as well.
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