A Quote by Holly Near

My voice is my instrument. ... It is not in the throat, from where it appears to come. It is in my feet and how they touch the floor, in my legs and how they lift and sink with the rhythm of the song. It is in my hips and belly and lower back.
You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.
It's not about how much weight you can lift in-season. It's about how fast you can move it, how strong you are, how you can maintain that strength so you can produce on the floor.
I think about how much depends upon a best friend. Then you wake up in the morning you swing your legs out of bed and you put your feet on the ground and you stand up. You don't scoot to the edge of the bed and look down to make sure the floor is there. The floor is always there. Until it's not.
In my case, I was placing extreme pressure on my lower spine from rotating my hips too much. This is a common cause of bad backs - and bad shots - for golfers of all levels. In addition to resting, I worked with my trainer, Joey Diovisalvi, on strengthening the weaker lower-body muscles that contributed to my overactive hips and back pain.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
When I was little, whenever I got out of the shower, I never wanted to touch the floor because once you touch the floor, your feet are dirty again. So in the shower, I used to put my socks on already without drying them off.
I had to learn about how to use my voice as an instrument, like a muscle in my body when I dance. I had no idea how much you could do with your voice and how much you have to look after it.
I like to use my voice as an instrument and just play along with the music. That's really how I tend to my voice. The content usually comes after or during that process of just trying to be an instrument.
My head aches, my eyes burn, my arms and legs have given up, and my face in the mirror has a grayish cast. The bed, across the room, calls in its unmistakable lover's croon, Come to me, come, only I can make you truly happy, oh, how happy I'll make you, don't resist, remember how you moan with pleasure the instant we touch..... Laura Acosta
In romantic comedies there's a certain ceiling and a floor that you can't necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy. But in a certain drama, like some of the ones I've been doing, the ceiling and the floor was my own. And in many ways, that was a higher ceiling and a lower floor, so that was more of a band-with for those emotions.
One afternoon a girl walked by in a bikini and my cousin Janet scoffed, “Look at the hips on her.” I panicked. What about the hips? Were they too big? Too small? What were my hips? I didn’t know hips could be a problem. I thought there was just fat or skinny. This was how I found out that there are an infinite number of things that can be “incorrect” on a woman’s body.
The point of nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink. A platform which stands a few feet above napalm, torture, exploitation, poison gas, A and H bombs, the works. Give man a decent place to stand.
Animals of every kind live on the Other Side, .. you are not crazy if you feel the spirit of your cat rubbing against your legs, hear the sound of your dog's toenails clicking on the wood floor, or hear the familiar song your bird used to sing. Our pets do come back to visit us.
When you are accompanied by the instrument - on an instrument like the lute-the lute and voice - you have this sound, and you feel how the music can be so touching and yet so simple.
I was a floor model at I. Magnin. I'm 5 feet 7, but my legs weren't long enough to be a big-time model. From the knees up, everything is long, but from ankle to knee, if I was in proportion, I'd be 5 feet 9.
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