A Quote by Honeysuckle Weeks
Of course, it's wonderful to film any period piece - but especially 'Foyle's War' because the art direction is so imaginative and yet at the same time so real. You can open a drawer on set, and even though the camera never sees what's inside, it'll be filled with genuine 1940s documents.
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Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
Even though we look at the past through the lens of distance and think that because people are wearing different clothes or have different technology, their experiences are different, it's all the same, right? Our experience of love and sex and death are the same in any time period.
Whether it be in comics, games or film, you can trace the art direction and influences back to some earlier, real-life historic period or artistic movement.
Still, records are documents of a period of time. Most records are documents of two or three years, and I just approached it as a record I was doing over a 20-year period of time.
I've had a wonderful time in 'Foyle's War' and I don't mind being typecast. But I'm not prim. I'm chaotic, happy, and desperate to have some laughs. I'd love to do a comedy next, or something modern.
One of the great events in my life was my first meeting with Edison. This wonderful man, who had received no scientific training, yet had accomplished so much, filled me with amazement. I felt that the time I had spent studying languages, literature and art was wasted; though later, of course, I learned this was not so.
A period piece is a great opportunity for an actress. I love acting because I love to pretend, and when you're doing a period piece, then even the time you're in is pretend, so there's that much more to play with.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
I treat clothing or a piece of jewelry like it was a piece of art, even though people who collect clothes get a bad rap because they're told it's all vanity.
He looked resigned, as though he knew that wretched door--to where? Home? Heaven? Peace?--would never open, and at the same time he seemed resolved, ready to do his bit even though he couldn't possibly know what sacrifices that would require. Had he been kept here, too--in a place he didn't belong, serving in a war in which he hadn't enlisted, to rescue sparrows and soldiers and shopgirls and Shakespeare? To tip the balance?
Even though we were influenced by American culture and music, we like the rest of Europe have been colonized with that in the post-war period. At the same time there's a sense of dirty earthiness and Europeanness and Britishness in it as well.
It isn't so unusual for poems to situate themselves out of doors - though they may, at the same time, be set in an interior world: not inside the house but inside the mind and body of writer and reader.
It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
In any period it is upon a very small minority that the discerning appreciation of art and literature depends ... They are still a minority, though a larger one, who are capable of endorsing such first-hand judgement by genuine personal response.
I hope that the outside world will realise that Hitler's government has no idea of steering towards war, even though this has often been asserted abroad. As Adolf Hitler himself has said, Germany has no need of another war to avenge the loss of her military honour, because she never lost that honour. Germany does not want war of any kind. Germany wants real and abiding peace.
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