I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
I listen to a lot of alternative types of music: I listen to a lot of Chinese music, I listen to a lot of Asian music. It might surprise you, but I listen to a lot of Arabic music. And I don't care - music is music.
Generally a good parameter for me is to try something I haven't done before either in the writing or recording process, to break old patterns and habits. Even if I eventually return to something similar, I'll have gotten there from a different starting point and engaged in a different process.
I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way.
I don't listen to a lot of music at all. I think that's very bizarre too, because it was such a comfort zone for me. But I don't know if I had my fill, but I don't listen to a lot of music, because I'm creating it.
I try to listen to as much as possible. I know some people really try to avoid music when they're writing and recording, but I am very inspired by so many different musicians, and I need to learn.
Music bears a great responsibility because it is so influential. Everybody listens to music. It is a very influential tool. To me, it is very important to the world... music is... to being... to life.
The recording process [ for 'Dirty Work'] took longer than anticipated, because we kept going on tour in between the recording process to make sure that we were still pleasing all the fans across the world.
The way I listen to music goes in waves depending on a lot of things. How busy I am, if I'm in between composition projects, if I'm starting a new project. So, the only time I listen to the radio for music is with my daughter's when I'm driving them to school, or driving them somewhere.
The recording process was basically me meeting with different writers, going into their studio, starting a song and just hanging out and chatting and getting to know how they work. Everybody has a different writing process so there was a lot of getting to know people, which can be fun and stressful at the same time.
I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.
You want to make music that reflects your ideals, but considering the isolating process of recording and the time and energy requirements of touring, there aren't a lot of opportunities to express those ideals anywhere but the music itself.
I have always loved music and singing, and I am open to listen to any type of music. Regardless of my mood, my heart is always set racing when I listen to opera. When I decide which music I want to hear, my choice is almost invariably an opera recording.
I don't listen to music a lot in that I rarely sit down and put on a CD because I really want to treasure the silence that is there when I'm not practising. But when I listen to a piece, I listen to it often.
People listen to The Beatles, but while they were muscially influential, they weren't culturally influential in quite the same way. You can go into the back of beyond in a little Indian village, and they will listen to Bob Marley. But they're not going to be listening to The Beatles or The Rolling Stones.
I know some people really try to avoid music when they're writing and recording, but I am very inspired by so many different musicians, and I need to learn. I sit around and try to play along to certain songs that I really love. It helps you explore new territory. I don't think I listen to enough.