A Quote by Hoodie Allen

I've basically been able to do everything, I basically run my own career and the decisions I make - whether it's how I'm gonna roll out music, how I'm gonna play on tours, different strategies for releasing and marketing things - and that comes from being college educated and someone who's interested in that side of the business rather than only the music. If anything I think that's where the biggest direct influence comes from.
I base the roles I choose depending on the characters. That's just how I'm gonna run my career. So if it's a good role I'm gonna take it whether it be fantasy, or whether it be realistic or fiction, anything.
My career was one of just taking it step by step. I didn't know how I was gonna fare on the professional circuit when I qualified. I didn't know whether I was gonna make a dime. I didn't know anything but this one thing: I had some dreams, and I was gonna work harder than anybody out here to ply my trade.
If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
Truth of the matter is, jazz is American music. And that doesn't mean bebop. Jazz is really about improvising. All the music that's been created in America has been pretty much improvised... Whether it's hillbilly or rock n' roll for blues, it's basically jazz music... It's basically about another way of hearing what comes out of America.
I can't wait to get out. It's been much too long, I don't like being home. I'd rather play. This tour is going to be really big. We're gonna have the biggest show we can have. It's gonna be different not like the old KISS shows.
What I did is I bought a drum set and I listened to 80s music, and I played, and I was, like, DJ'ing, and I said, 'this is what I wanna make. This is how I'm gonna give back to the people. I'm gonna make this party music.' It pulled me out of the depression, and then I've never been depressed since.
I'm putting out music that I love, and they're basically just stories of my life and how I try and teach myself to think about things. They're kind of like notes to self, basically.
I don't think it's changed that much when you go on the principle if Garth introduced more rock into country music, then Florida Georgia Line's gonna introduce more dance and more beat-driven stuff into country music. That's just how it's gonna go. So whatever influences you as a kid, you're gonna put in your music.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
We're a rock n' roll band. We play heavy metal music. And we want to give you a great time. That's basically how it all boils down.
It's all about music, because music is basically what's... been my avenue out of maybe being involved in things I shouldn't be.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
Our sport is ruled whether it's for good and bad, or whatever, for technical things. There's lots of teams out there that could and should have done better if they'd have had technical things. I suppose in the end that basically revolves around how much money they're gonna get.
Music is a business. You ain't gonna record with someone if it's not business, if it ain't gonna get you no money.
I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run.
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