A Quote by Hope Davis

You know how a lot of people say they could go crazy? Well, I feel I live very close to that line. — © Hope Davis
You know how a lot of people say they could go crazy? Well, I feel I live very close to that line.
It was a very economically depressed time [the 80s] and because of that, there was a lot of space. Everything was relatively dilapidated, and one could live on a pretty low income. One could live well below the poverty line and not suffer immensely.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
People say, 'Oh, Rick, he's crazy.' Well, I'm crazy, and I'm not crazy... When I went to my high school reunion, I was the only one there doing what he said he was going to do. How crazy is that?
I do feel that there are things you can learn from an artist, but I think you need to be very close to that person, and to know that person fairly well, in order to acquire anything from them. I do have a teacher myself, and I have learned quite a lot from my teacher, but it's not how to make a film. It's more how to approach my life as a director, how to approach and how to lie to a producer.
Some people go crazy. It's constant pressure. People don't eat well. They work a lot. There's no rest. People lose their mind by 30. They really go crazy - especially ballerinas.
There are probably people who think I'm crazy for doing what I'm doing and they're probably right. Compared to them, compared to the way they think and feel and are so bound by norms then I am crazy, but insane or enlightened, it's all pretty close. I would say it's just how you look at it.
I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.'
I have a profound admiration for Fellini. I met him lately and he's just fantastic. I feel very close to him even though he's very Italian. But his films could have been made in every country. When I say, I feel close to him, then also because we're both born on January 20th.
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
A lot of people say when you get a short life span you want to go out and do all of this crazy stuff like go bungee jumping and travel to exotic places. But you just want to live.
I've never fancied that footballer lifestyle. I suppose I could live that kind of flash life. People stereotype child actors and kind of expect you to go off the rails a bit, be a bit crazy, but that's not really happened yet. I've got a big family so that helps, and they live really close to the studios so it's just so much easier.
I know a lot of people in Washington would say, well, you know, indigent people can't manage their health savings account. They're too stupid. But they're not too stupid. Somebody has a diabetic foot ulcer, they learn very quickly not to go the emergency room where it costs five times more to take care of it. They go to the clinic.
There seems to be something in the zeitgeist, and maybe it's a function of - I'm no analyst, nor am I a psychologist - when you look at things and say, What if I could go back and change things? I think we live in a world right now where people are asking those questions a lot. What if we could go back and change what we did? How would we change the way we handled things in the Middle East, and how would we change things with the banking industry, and how would we change economic and educational issues?
I still feel very close to the people I wrote shows with and some of the people I toured with. I feel very close to them, like a family or like college friends who you know and who have seen you at your worst and you spend 14 hours driving a van all piled on top of each other.
Looking back, I got the bed I wanted and I lay in it. I didn't want to go to America. If you want to join that world, you have to go and live there, and that was something I could not have done. I am very much about family. It doesn't matter where I live, but I feel very needful of my people around me. Besides, theatre is my first love.
I let the beast in too soon I don't know how to live without his hand on my throat. I fight him always and still. Oh, darling it's so sweet. You think you know how crazy, how crazy I am.
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