A Quote by Hope Larson
My passion is writing comics and storytelling, and I'm constantly working to improve. I hit my deadlines, I know how to work with and artists, I'm professional, and I bring my A-game every time.
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There's a reason that football players, that still choose to come over to train MMA. They're professional and phenomenal freak athletes and they know how to work as professional athletes. They know how to get better and know how to improve.
Having deadlines helps because people are constantly breathing down my neck, and tapping their toes waiting for pages. So I just have to work nine to five. If I didn't have deadlines then I might be more of a golden hour kind of guy, writing from eight to noon and calling it a day, but that's just not the way I work right now.
Storytelling is one of comics' esthetic hurdles at the moment, which was the novelist's problem 150 years ago: namely, to take comics from storytelling into that of "writing," the major distinction between the two to me being that the former gives one the facts, but the latter tries to recreate the sensation and complexities of life within the fluidity of consciousness and experience. As far as I'm concerned, that's really all I've been trying to do formally for the past decade or more with comics, and it's certainly time-consuming, since it has to be done with drawings, not words.
Artists don't always know. Almost every song I ever recorded that was a hit at the majors that the promotional people picked I didn't think it would be a hit. I was wrong every time!
I don't know how comic artists feed their families, if they do. But it's a fascinating form and so I think that after a long period of nothing happening and work, nothing very impressive, we are into another golden age of comics. Unfortunately, it's not a golden age for the artists themselves economically. I don't know how they get along.
When I and the other young artists were working in comics, our work carried with it a particularly American slant. After all, we were Americans drawing and writing about things that touched us. As it turned out, the early work was, you might say, a comic book version of Jazz.
Every time I write down my goals, I realize that I have to hit the gym. I have to eat right. I have to improve in the ring. I have to give it 100%. I have to improve on my promos. These are the things that go through my head daily because I work hard on them.
As a human, as a professional player, you have to improve every day, every training session, every game.
In comics, my experience has been mostly artists whose visual storytelling chops are either weak or they're more invested in rushing to a paycheck than in doing work they can be proud of.
Working with Moschino, a real high fashion Italian brand, maybe I'm under tighter deadlines, but sometimes under tight deadlines you do your best work.
When you get hit that's when you've got to be calm. A professional fighter has to learn how to hit and not get hit, and at the same time be exciting. That's what professional boxing is about. You've got to be clever, you've got to be smart, and not get hit, and when you're able to do this, you're a fighter.
First of all, as a professional, you can run around saying "artists, schmartists" as much as you want. But I'm a professional, so if somebody hires me for something, I'm going to bring my best to it. They've hired me, I'm professional, I show up on time, I do my job. That's what we're doing. So in that sense, it's always both things.
This Civil Rights Act is a challenge to all of us to go to work in our communities and our states, in our homes and in our hearts, to eliminate the last vestiges of injustice in our beloved country. So tonight I urge every public official, every religious leader, every business and professional man, every working man, every housewife - I urge every American - to join in this effort to bring justice and hope to all our people, and to bring peace to our land.
Yeah, I mean there's points in every game where you get a hit and you feel a little woozy. Not every game, but mostly every game you hit someone and you're like, 'Whoa, that was a good one.'
I'm a huge tennis fan, so the game I play the most is 'Top Spin.' You really have to know how to play tennis to get good at this game - whether you want to hit a forehand or a backhand, when's the best time to hit a slice - it's so real.
The misconception is that standup comics are always on. I don't know any really funny comics that are annoying and constantly trying to be funny all the time.
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