I know there's bands that might write something that sounds like The Smiths, and they'll go, 'Oh, it sounds like The Smiths, we've got to make it sound not like The Smiths.'
I got shocked really bad at a show once. We do this big intro to a cover of the Smiths' "Panic on the Streets of London" and I got a huge shock and went, 'Ohhhh!' We had to stop the show for 15 minutes.
I've said many times how big a wrestling fan I am, but all my bias aside as her husband, I'm a huge Candice LeRae fan. I was a huge Candice LeRae fan before we started dating. I was a huge Candice LeRae fan before we got married.
I like The Smiths - I would love to do a song with The Smiths, because they are so sonically different.
You've got two huge clubs in Manchester that have got 'celebrity' managers, huge resources, massive turnovers. They can generate resources the rest of us can only imagine, and that's before the TV money even kicks in.
I was a huge fan of Rick Rude and Arn Anderson. There's many guys, many performers in the past who turned me into the sports entertainer I am today.
I have so much pride and love for the songs of The Smiths. However, I must ask you, if you come across any Smiths CDs, don't buy them, because all the money goes to that wretched drummer.
The people need to understand that marijuana is an unbelievable plant that has huge medical - it's a medical plant, is the best way to describe it. It has huge benefits for us as people in many, many - so many different ways.
Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape
The solo years have been more meaningful to the audiences than the Smiths years, but the press in England only write about me in relation to the Smiths era.
I loved the Cure and Bauhaus and the Smiths. The people in my town weren't privy to that kind of music and I got abused. I discovered the microphone to get out some of that angst.
We turned our planes around after landing and got them off again in 20 minutes back in the early days; 15 minutes in many cases. That gave us a huge cost advantage because we could do more flying in a day with a single plane than anybody else.
We heard about the Smiths later, through friends. What attracted us was how they could get across the meaning of the lyric through the tone of the vocal. A lot of bands just try to be catchy. The Smiths wanted to be more.
I worked in WH Smiths on Sloane Square and my first boss was a woman called June. My shift was half a day on Saturdays, and nine to six on Sundays. I was in and out of the place and only turned up when I wanted to.
If you haven't turned rebel by twenty you've got no heart; if you haven't turned establishment by thirty you've got no brains!
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.