A Quote by Hope Sandoval
Tom Petty and the Heartbreakers were really great. I saw them live in the '90s; they were really, really good. The music is great, and the musicians are amazing.
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Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
Even to be flown out to New York was mind boggling for me, and signing with Columbia was great because they really understood my vision. Of all the labels that I met, they were the ones that really seemed to understand that I was really about the music, the writing, and the lyrics, so it was really fulfilling to sign with them.
The music alone wasn't enough. It was great, but when an artist had an amazing look - like the MC5, or the Stooges, or Alice Cooper - you really got sucked in. The wardrobe was so important. At a show, you were engrossed in the music, but you were also engrossed in everything from the haircuts to what they were wearing.
The Heartbreakers were what you imagine being in a band would be like - best buddies and great players and guys who took it all really seriously.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Japan has really great fans for all kinds of music. I think they're keeping metal alive. They're really great supporters, and they really love music. I think it's a total outlet for them.
I had a number of great teachers and the ones that really were the strongest influences on me were women. They were really, really smart and interesting women.
It was a great mantel to be able to take on really, an amazing legacy. And you know to finally see it, because I just saw the final product yesterday as well, is really amazing to be part of something like this.
I saw some really amazing stuff with Axl. We worked really well together. We were good friends. And I hope to perhaps have that friendship back one day, although it's not something I wait around for.
Kurt Russell is amazing. He's really nice. He's really funny. He's really professional, and it's great to see him work and to see someone who's done so many movies and who's so down to earth, it's great. I feel really lucky.
I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed.
I've always loved Tom Petty and the Heartbreakers, and I watched the Petty documentary 'Running Down A Dream'. I was directly influenced, it made me want to go write.
If we were built, what were we built for? ... Why do we have this amazing collection of sinews, senses, and sensibilities? Were we really designed in order to recline on the couch, extending our wrists perpendicular to the floor so we can flick through the television's offerings? Were we really designed in order to shop some more so the economy can grow some more? Or were we designed to experience the great epiphanies that come from contact with each other and with the natural world?
I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty much anything.
With The Allman Brothers, we made two studio records that were OK, but the first really great album was the live one, 'At Fillmore East.' We were a live band, and it's one of the reasons we were able to stick around for 45 years.
One of the great bands we opened up for was Priest back in '89. That was really great because at that time we had never met them, never toured with them before. They were a big influence on Slayer, so to open up for them was really cool.
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