A Quote by Hope Sandoval
The biggest problem for people who get really, really nervous when they perform live is that you think everybody's looking at you.
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When you start looking at a problem and it seems really simple, you don't really understand the complexity of the problem. Then you get into the problem, and you see that it's really complicated, and you come up with all these convoluted solutions. That's sort of the middle, and that's where most people stop... But the really great person will keep on going and find the key, the underlying principle of the problem - and come up with an elegant, really beautiful solution that works.
I remember the days of auditioning and being nervous and so I really didn't want to make people have to jump through hoops to do auditions and be nervous and make them more nervous. I kind of wanted to hire everybody and find something for everybody.
When I get nervous my energy gets really still, and I think people think that's me. Everything gets really still, and my voice gets a little bit lower and there is a little croak in there - sometimes you can hear it when I'm really nervous on camera.
I really don't get nervous when I perform -it's more of an exciting feeling than anything else. But put me in a classroom with kids my age and have me take a test and yeah, I'll be nervous!
I really don't get nervous when I perform - it's more of an exciting feeling than anything else. But put me in a classroom with kids my age and have me take a test and yeah, I'll be nervous!
No one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.
Producers - we always think, "Well, producers are very powerful," but producers don't really have the power. It's the appearance they might, but they don't. Even the actors don't. Even the studio heads don't, because they're beholden to this corporation and what the corporation wants. So no one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.
After all those years of automatic success, you don't get nervous any more. It's really necessary to be nervous and be a little bit frightened. It pumps the adrenalin into you and you really get down there and try.
I used to be really nervous to perform in front of people. I would cry.
I think that live music is really pretentious - all of it. I hate festivals and live shows, because as soon as I get on stage, I start performing for people and it becomes about sex, banter, and skill. They're looking at me and not thinking about themselves. I'm thinking about how cool I look. It's just stupid - all live music is really stupid. I wouldn't encourage going to see anybody live, ever. Not even me.
I think everybody who really wants to change things has to allow themselves to be angry in a constructive way, and you have to fully understand the thing you're trying to change. We really need to get serious about this now; there needs to be real, effective programs. I think there needs to be a little bit more strategy involved and a little more realism, to be pragmatic and realistic, looking at the way we as women contribute to the problem. Once the second half of the population stops doing it, it's going to end.
I get really nervous at auditions. I know how to make people laugh, but auditions just really make me nervous.
You can become so manipulated and controlled by what you think other people expect you to do that you literally live under the tyranny of other people's expectations. And what I call the shoulds and the oughts. I believe that hundreds of thousands of people miss their God-ordained destiny and they never really feel satisfied, content and fulfilled, because they're so busy trying to keep everybody else satisfied with them that they don't ever get around to doing what they really want to do.
In Chicago, a lot of people don't really got nothing to live for. Everybody can't ball. Everybody can't rap. Nobody is really doing those activities. There's nothing to do but the streets.
I was sitting on top of people and it was just really uncomfortable. There was no place to move. And, I don't like auditioning, anyways. With auditions, you can get so nervous, or other things get into your head and throw you off, and it doesn't really reflect what you can do, as an actor. The whole thing was just really nerve-wracking, but I ended up getting it.
Everybody really don't rock with each other in Philly - that's a problem. 'Cause me being in Atlanta now, I stay in Atlanta, and I get to see everybody work with everybody no matter what.
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