A Quote by Horace
All men do not admire and delight in the same objects.
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Men ought to become more conscious of their bodies as objects of delight.
I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.
How vain painting is-we admire the realistic depiction of objects which in their original state we don't admire at all.
All men do not, in fine, admire or love the same thing.
When men evaluate each other as men, they still look for the same virtues that they'd need to keep the perimeter. Men respond to and admire the qualities that would make men useful and dependable in an emergency. Men have always had a role apart, and they still judge one another according to the demands of that role as a guardian in a gang struggling for survival against encroaching doom. Everything that is specifically about being a man-not merely a person-has to do with that role.
Since holiness is the main thing that excites, draws, and governs all gracious affections, it is no wonder that all such affections tend to holiness. That which men love, they desire to have and to be united to, and possessed of. That beauty which men delight in, they desire to be adorned with. Those acts which men delight in, they necessarily incline to do.
That is the great distinction between the sexes. Men see objects, women seetherelationship between objects? It is an extra dimension of feeling which we men are without and one that makes war abhorrent to all real women?and absurd.
Justice is the recognition of the fact that you cannot fake the character of men as you cannot fake the character of nature, that you must judge all men as conscientiously as you judge inanimate objects, with the same respect for truth, with the same incorruptible vision, by as pure and as rational a process of identification-that every man must be judged for what he is and treated accordingly.
Inanimate objects are harmless indeed, Mr. Mortmain. But one cannot always say the same of the men who use them.
All men are in some degree impressed by the face of the world; some men even to delight. This love of beauty is taste. Others have the same love in such success that, not content with admiring, they seek to embody it in new forms. The creation of beauty is art.
Many men who do creditable things refuse to let it be known. This is a mistake. While we all admire modesty, nevertheless there is a great national need to do everything possible to bring home to the rank and file of the people that all employers and all wealthy men are not grinding, mercenary, selfish skinflints, but that many of them take delight in doing helpful things for others ... Shortcomings of employers are constantly paraded. Why not let the public become acquainted with the better side which most present-day employers possess?
I admire plenty of people, I admire Daniel Bryan, I admire CM Punk, I admire Antonio Cesaro, Wade Barrett, Sheamus; all the fellows that have been out and earned their spot on this roster.
It has always seemed strange to me... the things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.
Art consists precisely in making us admire old stories, charming us with them eternally, as Nature charms with her eternal sun, her ancient earth, and her men built all on the same pattern, and all animated by the same feelings.
[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain fetishism of mine: for this 'me' which like knowledge, which nourishes a kind of amorous preference for it. In the same way, I like certain biographical features which, in a writer's life, delight me as much as certain photographs; I have called these features 'biographemes'; Photography has the same relation to History that the biographeme has to biography.
All these stupendous objects are daily around us; but because they are constantly exposed to our view, they never affect our minds, so natural is it for us to admire new, rather than grand objects. Therefore the vast multitude of stars which diversify the beauty of this immense body does not call the people together; but when any change happens therein, the eyes of all are fixed upon the heavens.
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