A Quote by Horace

Let your literary compositions be kept from the public eye for nine years at least. — © Horace
Let your literary compositions be kept from the public eye for nine years at least.
Let your poem be kept nine years.
I really try to ask myself the question of nine. Will this matter in nine minutes, nine hours, nine days, nine weeks, nine months or nine years? If it will truly matter for all of those, pay attention to it.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
When you're in the public eye, me and my husband have realized that things should be kept in.
When you makes movies, you usually make good money. But it is also a very tough job. Once you enter the public's eye, you have to be aware that you give up a huge part of your own life. And it is never a job from nine to five.
One of the nice things about moving from acting to writing is that your work can be in the public eye without having to be in the public eye yourself. I guess that's not completely true. If you're lucky - and I have been - there are book tours and lectures. I don't have stage fright, and I enjoy meeting people, so that's easy and enjoyable, but it's not a constant, and it's not celebrity.
The danger is in pleasing an immediate public: the immediate public that comes around you and takes you in and accepts you and gives you success and everything. Instead of that, you should wait for fifty years or a hundred years for your true public. That is the only public that interests me.
If for nine years I have possessed a goodly apple that is rotten at the core and discover its rottenness only in nine years and six months less four days, isn't it true to say that for nine years I possessed a goodly apple?
Even if people threw tomatoes at me and booed me off stage, at least you can wash out tomatoes, unlike nine hours of abuse from the general public which can affect your mental health.
There's another weight of us being in the public eye, which is this presumption that, because your work and your promotion work is very public, your private life should be, too.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass.
The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do is abstract.
I know for a stretch, at least nine years, I was one of the best lead-off hitters in baseball
It was my fear of failure that first kept me from attempting the master work. Now, I'm beginning what I could have started ten years ago. But I'm happy at least that I didn't wait twenty years.
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