A Quote by Horace Walpole

Shakespeare had no tutors but nature and genius. He caught his faults from the bad taste of his contemporaries. In an age still less civilized Shakespeare might have been wilder, but would not have been vulgar.
"With this same key Shakespeare unlocked his heart" once more! Did Shakespeare? If so, the less Shakespeare he!
But Shakespeare knows what the sphinx thinks, if anybody does. His genius is penetrative as cold midwinter entering every room, and making warmth shiver in ague fits. I think Shakespeare never errs in his logical sequence in character. He surprises us, seems unnatural to us, but because we have been superficial observers; while genius will disclose those truths to which we are blind.
Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.
It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
If you're going to do Shakespeare, do Shakespeare. There's a reason why he's been performed for hundreds of years. His words affect people on a very deep level. He's the true humanist. That all comes through his text, his words.
If Shakespeare had been in pro basketball, he never would have had time to write his soliloquies. He would have always been on a plane between Phoenix and Kansas City.
Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.
What a singular destiny has been that of this remarkable man!-To be regarded in his own age as a classic, and in ours as a companion! To receive from his contemporaries that full homage which men of genius have in general received only from posterity; to be more intimately known to posterity than other men are known to their contemporaries!
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
I think that Shakespeare is a s***. Absolute s***! He may have been a genius for his time, but I just can't relate to that stuff. "Thee and thous" - the guy sounds like a faggot.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I think about Shakespeare. Because there have been hundreds of variations of Shakespeare's plays since they've been written, and I believe it's because they're important. They're still relevant today. 'Roots' is still relevant today. The idea that we shouldn't tell this story again is very strange to me.
I'd love to do Shakespeare. I've been asked to do Malvolio but for one reason or another haven't been able. On a school trip to the Royal Shakespeare Company at Stratford I saw the great Emrys James as Feste and it's always been a role I've coveted.
If man had written the Gospels - say Shakespeare or Eugene O'Neill - the story of the gospel would have been drastically different. They would have placed the prince in halls and palaces and had him walking among the great. They would have had him surrounded by the important and significant of the time. Potentates and kings would have been His companions. But how sweetly common was the real God-man; though He had inhabited all eternity, He had come down and was subject to the rising and the setting of the sun.
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