A Quote by Hornswoggle

In my opinion, NXT has a niche audience. — © Hornswoggle
In my opinion, NXT has a niche audience.
We are in niche consumption mode, but 'niche' doesn't mean 'small' anymore. Niche can mean focused, and particularly with the Web, which is a global audience... you can have something niche and still get 10 to 15 million views.
We are in niche consumption mode, but 'niche' doesn't mean 'small' anymore. Niche can mean focused, and particularly with the Web, which is a global audience you can have something niche and still get 10 to 15 million views.
A different demographic of people watch NXT compared to Raw and Smackdown; NXT is followed by the real knowledgeable, hardcore internet audience, whereas the main shows have a more family feel.
Film used to have to be niche and find its audience in a little art house cinema, and TV had to work for everybody. And now it's kind of flipped where there's so many platforms that TV can be incredibly niche.
The atmosphere we get with NXT and NXT fans, they're a die-hard group. They care deeply about NXT.
You might be sitting at NXT for six years. But, if you're sitting there at NXT for six years, and they haven't called you to the main roster, then you're not doing something right. That's just my opinion.
There was a notion that I could do only niche films like 'Yevade Subramanyam' or 'Krishna Gaadi'... I wanted to break that and draw in a larger audience so that next time I do a so-called niche film, more people might come out to watch it.
Of course, you have to think of the audience. You cannot make an obtuse film that only appeals to a small niche section of the audience.
Many people decide to jump from niche to niche, as they cannot find success immediately with the niche that they have chosen for their online business.
'Looking' was always a niche show for a niche within a niche. It's a gay-themed show, so you're not going to get millions of straight people watching it - that's the inevitability of it.
If you look at the statistics, I genuinely understand why when we go to a production company or a broadcaster, and they say our show is niche and it's not going to reach a wide enough audience. The bottom line is the majority TV audience is aged 40 to 65.
Because I would never work for a niche publication or a niche program on television and because I am a journalist and not an opinion person, my job is to try to see how many different points of view I can represent or how. It's not even a question of who you don't offend because you are always going to offend somebody. The question is how can you get people to listen to the information you have to present.
I didn't feel that I was ready to leave NXT. When I was called up to SmackDown, I was very nervous. I hadn't done many of the things at NXT that I thought I was supposed to. I didn't have a TakeOver match. I never held the title. I only had a few matches on NXT TV and to be called up and told, 'Well, here you go!'
I think what people don't realize is the transition from NXT to the main roster is a big jump. It's getting a whole new audience familiar with a certain character. If you debut too many women at one time, it's hard for the audience to get to know, understand, and see the rise of that character.
When I was in NXT, I never wrestled on a TakeOver. I didn't have too many high-profile matches: I probably wrestled about 10 matches in total on NXT TV, including the one championship match against Bayley, which was so much fun and my favorite match in NXT.
A movie is a mass consumption product. I have got no delusions about being niche. I don't want to be niche. Though in the earlier part of my career I was into niche cinema, doing independent films - and I do have a revolutionary bent of mind - but you cannot make a change from outside; you have to be a part of it.
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