A Quote by Horst Faas
Being in Vietnam and being around a major story of the time was always a great shot of adrenaline.
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One of the greatest casualties of the war in Vietnam is the Great Society... shot down on the battlefield of Vietnam.
I love working with smart people and being challenged. I also like working on stuff that's relevant. That's my adrenaline shot.
I'd gone from being a normal HR worker from Hull to being recognised in the street, being on TV. As much as it was exciting, thrilling, and a big, huge adrenaline rush.
Vietnam affected everything in life while it went on. My time in the service made it clear to me that what we were being told in our newspapers and newscasts, back in the States, wasn't half the story of what was really going on.
Do you want to improve the world? I don't think it can be done. The world is sacred. It can't be improved. If you tamper with it, you'll ruin it. If you treat it like an object, you'll lose it. There is a time for being ahead, a time for being behind; a time for being in motion, a time for being at rest; a time for being vigorous, a time for being exhausted; a time for being safe, a time for being in danger. The Master sees things as they are, without trying to control them. She lets them go their own way, and resides at the center of the circle.
It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: "We have to get this shot, we've have to go, we've got to move on!"
I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
The first time I can remember being on a stage in front of an audience was one that came with triumph, adrenaline and a childlike tragedy. The first time I was on a stage, it wasn't even a music concert. It was a magic show. That being said, the life I lead now isn't what you would call 'destiny'.
I've always said I got to where I am not by being a great singer, but by being stubborn, by being tenacious, by being pigheaded.
God always was, and always is, and always will be. Or rather, God always Is. For Was and Will be are fragments of our time, and of changeable nature, but He is Eternal Being. And this is the Name that He gives to Himself when giving the Oracle to Moses in the Mount. For in Himself He sums up and contains all Being, having neither beginning in the past nor end in the future; like some great Sea of Being, limitless and unbounded, transcending all conception of time and nature, only adumbrated [intimated] by the mind, and that very dimly and scantily.
You can always find reasons to work. There will always be one more thing to do. But when people don't take time out, they stop being productive. They stop being happy, and that affects the morale of everyone around them.
Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world.
I always liked major-key music quite a bit, and that might have something to do with so many of the musical experiences of my childhood being based around the piano. On piano, it is very easy to move between major and minor and to really see how it looks and to feel how it sounds.
I always wanted to tell the story of how Pearl Jam is the story of lightning striking twice. As well as being the flipside of the classic rock tale where great promise ends in tragedy. This is where tragedy begins great promise.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
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