A Quote by How to Dress Well
That's another thing in Alice Munro: it's always, like, some middle-aged woman who is going to cheat on her husband, and there's that moment where she decides to take an extreme risk. It's always after an extreme risk where life really happens for Alice Munro.
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I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
My favorite short stories are by Alice Munro, especially her collections 'Carried Away' and 'Runaway.'
Alice Munro is not only revered, she is cherished, her stories handled lovingly, turned over and over, gazed at and studied and breathed in with something approaching awe. She has never, over the years, written the way any of her contemporaries have.
I'm sure I've been influenced by every fine writer I've ever read, from Dickens and Austen to Auden and Jane Hirshfield. And also, the short stories of Updike, Cheever, Munro, Alice Adams, and Doris Lessing. And the plays of Oscar Wilde. And paintings by Alice Neel and Matisse.
My favorite writer is Alice Munro. It's simply amazing how well she captures entire lifetimes in a single short story.
I think what's interesting about Alice Munro, too, is the extreme mundanity of things. And how even a life reduced to complete mundanity, like capitalism taking over rural Ontario or whatever, has complete sway over aspects of life. Nevertheless, people still have these moments of weird desperation, weird longing, weird true love, or weird, powerful lust, and that was a major inspiration for me, too.
Alice Munro is an atomic writer blasting doors into narrative time.
Alice Munro is a particular kind of short story writer in that she writes long, character-driven short stories.
Alice Munro can move characters through time in a way that no other writer can.
I'm kind of a mash-up of taste - Graham Greene and Jane Austen; W.G. Sebald and Alice Munro.
Peggy Atwood, Alice Munro, Hugh Hood, Michael Ondaatje - these are all old friends from my early 20s.
I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works.
I couldn't choose a favourite author, but two contemporary writers who have never disappointed me are Tim Winton and Alice Munro.
It wasn't until I started to read short stories - by people like Alice Munro, Mavis Gallant, John Updike... Eudora Welty - that I became excited about the possibilities of writing.
Crawling at your feet,' said the Gnat (Alice drew her feet back in some alarm), `you may observe a Bread-and-Butterfly. Its wings are thin slices of Bread-and-butter, its body is a crust, and its head is a lump of sugar.' And what does IT live on?' Weak tea with cream in it.' A new difficulty came into Alice's head. `Supposing it couldn't find any?' she suggested. Then it would die, of course.' But that must happen very often,' Alice remarked thoughtfully. It always happens,' said the Gnat.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
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