A Quote by How to Dress Well
I feel like real thoughts and emotions involve the whole being. And they also outstrip little personal quirks, and they outstrip biography. You end up on a really special, universal, shared terrain in those experiences. I think it's available to absolutely every single thing made of flesh and blood.
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I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I think everyone's pretty much the same underneath. The collective unconscious is a real thing. There's only a few emotions, and we all have them. There's, like, seven emotions. So personal is universal. Everyone experiences confusion, joy and pain, just in different forms.
We all have those days when you feel like you're against the world, every little thing goes wrong and your blood pressure is up. And you feel like punching somebody!
I don't think that I am a Lefty in the sense that I grew up in countries that have a universal health-care system, but I also think that I'm a little Right in other directions. I also think that - in regards to the whole health-care thing - that yeah, they should repeal and replace Obamacare with universal health care.
The 'phenomenal concept' issue is rather different, I think. Here the question is whether there are concepts of experiences that are made available to subjects solely in virtue of their having had those experiences themselves. Is there a way of thinking about seeing something red, say, that you get from having had those experiences, and so isn't available to a blind person?
I love feelings that are universal, things that tie every single person on this earth together. I think we all battle between what we know is right and what we feel is right every single day, and as much as that can be difficult it's absolutely human.
'Party Down' was one of the most magical, special experiences of my professional career. Also special in my personal life, too. I made really good friends, and I had just a great time, and it was a great part.
Someday hopefully it won’t be necessary to allocate a special evening to celebrate where we are and how far we’ve come…someday women writers, producers and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.
There's no way anyone's going to understand my own personal experiences, where the songs came from, because they're mine. But I was very conscious of leaving loads of space in the songs so that people could interpret them with their own memories, feelings, and emotions. I love the process of taking stuff away so that people could finish the songs themselves. I was hoping it'd end up being as universal as possible, even though it comes from the most personal place.
The terrain of Adam’s Mountain provides a palette unique to the region. Rather than typical mountain slope play, the course is broad and open, allowing for special golf experiences on every single hole.
Real people are made out of a whole lot of things-flesh, bone, blood, nerves, stuff like that. Literary people are made out of words.
I think you know what you're up against when you take on a piece that you know is going to involve dragging up a lot emotions - you can end up being deeply immersed in gloom.
If you think peaceful thoughts, you'll feel peaceful emotions, and that's what you'll bring to every life situation. If you're attached to being right or absolutely need something in order to be at peace or successful, you'll live a life of striving yet never arriving.
I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.
I've read every Madonna biography. I've also looked up every pop star to see how they first made it. The biggest thing I learnt was that you have to be pro-active. You can't be scared.
Ambition will, and should, always outstrip achievement.
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