A Quote by Howard Barker
I’ve often taken important classical, biblical or literary stories and interrogated them. I have tried to reinvigorate Lot by interpreting it differently.
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I've often taken important classical, biblical or literary stories and interrogated them. I have tried to reinvigorate Lot by interpreting it differently.
My claim is simply that the literary approach is one necessary way to read and interpret the Bible, an approach that has been unjustifiably neglected. Despite that neglect, the literary approach builds at every turn on what biblical scholars have done to recover the original, intended meaning of the biblical text.
As a film enthusiast and a lover of stories, I have read biblical stories and I've seen biblical films with the same zeal as I have read and seen my own country's stories. Most of the time, the creator doesn't know where he gets his inspiration from.
A lot of young-adult authors, great ones, have tried their hands at literary fiction, and not a lot of them have succeeded. Not even Roald Dahl could switch-hit, and not for lack of trying.
A good tracker is interpreting all the time, from every little sign, you know? Not just interpreting the age of the tracks but also: Is it wounded? Is it hungry? A good tracker is interpreting a lot.
When you listen to the music, you see little movies in your head, and that's the beauty of it, I think. People can make up their own stories. They don't necessarily have to know exactly what each song is about. It's their way of interpreting of interpreting different feelings or emotions.
We do a lot of light classical programming with that, too... obviously... a lot of Tchaikovsky music, Grieg, things like that which have become less classical with classical concerts.
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
There are characters in some short stories who exist as people, and there are other characters in different short stories who exist as purely literary constructs. You know, the young man in "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire" - I probably got that right - is a literary construct, and enjoys being a literary construct. He has no life off stage, whereas the young men in "How to Talk to Girls at Parties" were as near to being real human beings as I could possibly get them.
I've always taken a lot of pride that people believed in me as a hero. I tried not to fail them in my life.
The single biggest reason I got my stories taken in various literary magazines - and I want to stress this - is because I refused to give up. Period.
I think we are affected so much by mythical stories and biblical stories, our society being based on the Bible - at least the old society is based on biblical terms and laws - that there's more of it in art than people realize. Sometimes it comes to the surface, but sometimes it's below the surface, but certainly, it does influence some of my movies.
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
Kids have been let down by adults - we've tried to give them too much, we've tried not to impose discipline. We've tried to make their lives easier and, in doing so, we've taken something away from them. Kids like boundaries, they also like to be pushed, need to learn what failure is all about, need guidance.
I think a lot of American poets are swimming-pool Soviets. A lot of them have taken the comfortable, self-protective route too often. I know that I certainly have. That's easy to do.
You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.
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