A Quote by Howard Barker
When I write, I am not giving a lecture, I am speculating on behavior. Sometimes this is dangerous, but it should be. As I say often, theatre is a dark place and we should keep the light out of it.
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I find that I am much slower in the beginning of a book. I am thinking of the plot, of the characters and who they are, and where they are going. I often throw out a lot of the writing I start with, because the characters and plot improve as I write. Or perhaps I should say it is my hope they will improve as I write.
I remove the work should from my vocabulary forever. Should is a word that makes a prisoner of me. Every time I say should, I am making myself wrong, or I am making someone else wrong. I am, in effect, saying I am not good enough.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
I'm always so overly transparent that sometimes I'm like, damn, am I saying too much? Should I say this? Should I not say this?
When I write I'll sometimes say things which are somewhat controversial - not because I'm seeking out controversy for its own sake, but if I don't have anything to say which is different, why am I bothering to write stuff down in the first place?
There is no good talking to him," said a Dragon-fly, who was sitting on the top of a large brown bulrush; "no good at all, for he has gone away." "Well, that is his loss, not mine," answered the Rocket. "I am not going to stop talking to him merely because he pays no attention. I like hearing myself talk. It is one of my greatest pleasures. I often have long conversations all by myself, and I am so clever that sometimes I don't understand a single word of what I am saying." "Then you should definitely lecture on Philosophy," said the Dragon-fly.
Given our abundance, the burden of proof should always be on keeping, not giving. Why would you not give? We err by beginning with the assumption that we should keep or spend the money God entrusts to us. Giving should be the default choice. Unless there is a compelling reason to spend it or keep it, we should give it.
The question of how much English should be used in international research universities is one with which I am extremely familiar. I would even say I am deeply puzzled by this trend. I am not certain what the correct answer should be.
I am no theologian. I am a layman. I am among those who are preached to, and who listen. It is not for me to preach. I should not willingly forego being a listener, a man who reads the Gospels and then listens to what others say that our Lord meant. But sometimes a listener speaks out, and listens to his own voice.
I am not without faults and I am far short of perfect. I am dealing with my behavior and personal failings behind closed doors with my family. Those feelings should be shared by us alone.
I am sick and tired of the negative, dark, divisive dangerous vision and behavior of people who support Donald Trump.
Am I alone in my egotism when I say that never does the pale light of dawn filter through the blinds of 52 Tavistock Square but I open my eyes and exclaim, "Good God! Here I am again!" not always with pleasure, often with pain; sometimes in a spasm.
The central attitudes driving the Demand Man are:
It's your job to do things for me, including taking care of my responsibilities if I drop the ball on them. If I'm unhappy about
any aspect of my life, whether it has to do with our relationship or not, it's your fault.
You should not place demands on me at all. You should be grateful for whatever I choose to give.
I am above criticism.
I am a very loving and giving partner. You're lucky to have me.
In the United States, I am often addressed as a doctor. I should like to point out, however, that I am not such and shall never think of becoming one.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
I could not sit seriously down to write a serious Romance under any other motive than to save my life, & if it were indispensable for me to keep it up & never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No - I must keep my own style & go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.
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