A Quote by Howard Dietz

I was proud to work with the great Gershwin, and I would have done it for nothing, which I did. — © Howard Dietz
I was proud to work with the great Gershwin, and I would have done it for nothing, which I did.
Was his life nothing? Had he nothing to show, no work? He did not count his work, anyone could have done it. What had he known, but the long, marital embrace with his wife. Curious, that this was what his life amounted to! At any rate, it was something, it was eternal. He would say so to anybody, and be proud of it. He lay with his wife in his arms, and she was still his fulfillment, just the same as ever. And that was the be-all and the end-all. Yes, and he was proud of it.
As a good picture would come, I would never know exactly what I had done. When you did see it, it would strike you as a great surprise - who did that? How did it happen? Being surprised by your own work makes you both less serious and have serious reverence.
I wouldn't say anything I ever did in film would be something I'd use the word proud about. I've done better work in the theater.
I always say that I am very proud of the work that I did with the Rolling Stones and that I am also proud of what I have done with the Rhythm Kings.
I got offered that role in Transamerica that Felicity Huffman did. That was a part that I was like, "Well, maybe I should've done that." I'm at peace with it, but that is one thing that I did turn down that went on to do great things for her. I wonder what would've happened if I would've done that.
I get really afraid of those little comforts, those things that make us feel like we did something great, because I've done nothing. I've done nothing. I mean that sincerely.
If everything was in your favor, if you did not have to surmount any great mountains, then you have nothing to be proud of. But if you feel that you have special difficulties, then you must indeed be proud of your achievement.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
I do miss the stage. There's nothing like it, nothing. When I did my one-woman show and played the Palace and played the Gershwin and all that, I did - what? - eight shows or maybe more a week. Of course you can't do anything else, and you can't run quickly for a cab in the rain, and you can't have a drunken love affair. You can't do any of that. Because you've got to be perfectly healthy. And I guess I value enjoying my life a little bit more than the discipline these days.
Where the material is, that's where you go. I'm a workman: I go to work. I've done movies for nothing, literally nothing; I did 'Last I Heard' for next to nothing.
I was never the kind of girl who said, "One day, I am going to be a beautiful bride, and I am going to have a family." I wanted to work and support myself and make my parents proud. All I did was work. I did three or four films a year, and felt like I was on a treadmill. Finally I said, "Nothing is exciting to me anymore." So I took six months off, which turned into a year, and said, "God, I don't miss it." That's when all kinds of interesting things crossed my path.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
I'm proud that I was able to start with nothing, plan it and have it work as perfectly as it did... I sleep clearly every night.
If anyone would like to acquire humility, the first step is to realize one is proud. Nothing can be done before it.
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