A Quote by Howard Gardner

Til 1983, I wrote primarily for other psychologists and expected that they would be the principal audience for my book. — © Howard Gardner
Til 1983, I wrote primarily for other psychologists and expected that they would be the principal audience for my book.
'Til 1983, I wrote primarily for other psychologists and expected that they would be the principal audience for my book.
When I wrote 'Marley & Me,' I had a clear audience in mind. And it did not include children. I wrote my book for adults and assumed only adults, and possibly teenagers, would be drawn to it.
My career highs were definitely in 1983 and 1984, because Kajagoogoo's 'Too Shy,' which I co-wrote, went to number one in many countries and was top five in America. However, the band fired me in August 1983, so I was suddenly on my own as Limahl.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.
When we began to tour, no one expected me to be a part of the band, so I used that as a tool, and would start the set off-stage or in the audience, as a surprise, because no one expected this little girl to get up and rock the way I do.
Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.
I think 'Party Down' found its audience primarily on Netflix and stuff like that, and primarily after it had been cancelled.
I would like to tell you that I wrote my book to push back artistic boundaries. But I didn't. I wrote it to impress a girl.
It was something I never expected to - I never expected the book would sell in the first place. I was hoping for a quick and merciful death at the hands of the reviewers.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
If you wrote a page a day, at the end of the year you would have a book. Whether it's any good or not is beside the point, but you would have a book, instead of just talking about it all the time.
A baby is expected. A trip is expected. News is expected. Forgetfulness is expected. An invitation is expected. Hope is expected. But memories are not expected. They just come.
I would hate to be in high school now. Psychologists talk about the 'imaginary audience' that teens seem to feel they have around them and that makes them think they have to keep up their image all the time. Now with Facebook and MySpace and 24/7 online access, that imaginary audience has become real.
Everybody says marriage is 'til death do you part - and I've been married 29 years - but a book is really 'til death do you part. Once you write it, it's out there.
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