A Quote by Howard Nemerov
Mostly the thought and the verse come inseparably. In my poem Poetics, it's as close as I come to telling how I do it.
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In a lot of African music, the singers are just singing whatever they feel at the time - because the instrumentation is repetitive, they can come and go as they please. That's how we approach it. Not verse-chorus-verse.
Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.
How does the ordinary person come to the transcendent? For a start, I would say, study poetry. Learn how to read a poem. You need not have the experience to get the message, or at least some indication of the message. It may come gradually. (92)
One of the things I've always thought is that if I were to write a poetics, it would have to do with the poetics of failure, and the way in which all the things that you claim or that you try for are already based on the limits of language.
I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
Writing is a mysterious process, and many ideas come from deep within the imagination, so it's very hard to say how characters come about. Mostly, they just happen.
A poem is bound by language, but a poetics is not.
The more you close the doors, the less free your ideas can come, and they come from up here and come through you.
Poems, to me, do not come from ideas, they come from a series of images that you tuck away in the back of your brain. Little photographic snapshots. Then you get the major vision of the poem, which is like a giant magnet to which all these disparate little impressions fly and adhere, and there is the poem!
There was a time when I really wanted to do films, but they didn't come my way. I would come close and the next day suddenly I'd realise that I am not a part of the film anymore. So that's how television happened.
Sometimes I'll sing the same verse through the entire song, because the other verses aren't clicking. And when they do come to me, I'm in the middle of that same verse!
The poem might come to you as you're preparing to teach a lecture, right? And when you say, "no" to that occasion, that poem is gone.
I hope to go into a poem sober and come out a little drunk. And if I do then that's a real poem.
I would say everything should be able to come into a poem, but I can't put toothbrushes into a poem, I really can't!
As a poet I would say everything should be able to come into a poem but I can't put toothbrushes in a poem. I really can't.
Come to close?No one wants to come to close.If it's done for them,they accept it,even while they condemn it.Why not?But no one wants to know what it's like.Turn a blind eye.Maybe it will go away.
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