A Quote by Howard Pyle

A good deal of large and rather interesting work is drifting my way. — © Howard Pyle
A good deal of large and rather interesting work is drifting my way.
Work in nightclubs was interesting. There were interesting people and places, but by and large, the commercial music experience.
Good management is the art of making problems so interesting and their solutions so constructive that everyone wants to get to work and deal with them.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
And I think a good writer's gonna make it interesting. From the first paragraph it will all be interesting. Just work at it and work at it and work at it.
In journalism, especially, we tend to deal with large, complex systems by finding especially interesting people and story lines to focus on.
America is rather like life. You can usually find in it what you look for It will probably be interesting, and it is sure to be large.
America is rather like life. You can usually find in it what you look for. It will probably be interesting, and it is sure to be large.
A good deal of my research in physics has consisted in not setting out to solve some particular problem, but simply examining mathematical equations of a kind that physicists use and trying to fit them together in an interesting way, regardless of any application that the work may have. It is simply a search for pretty mathematics. It may turn out later to have an application. Then one has good luck. At age 78.
I love to work. It's the idea of having someone else tell you how to make your film or how to sell it - that's the part I can't really deal with. I would rather do 1,000 things that are work than deal with one thing that's a political problem.
I would rather do a good hours work weeding than write two pages of my best; nothing is so interesting as weeding. I went crazy over the outdoor work, and at last had to confine myself to the house, or literature must have gone by the board.
To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.
I measure the success of my work by the way I feel about a film before anyone else has seen it. I think I can trust myself to know when the work is good and deep and interesting and when it isn't.
The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.
The underlying sense of form in my work has been the system of the universe, or part thereof. For that is a rather large model to work from.
I deal in a very artistic way of what interests me and marks my passion, and I try to - whether its good or not - am in love with acting and the stage and characters and the ability to reach and to touch people, so that's where, I guess, that's where my heart will reside, by and large.
Remember, a small light will do a great deal when it is in a very dark place. Put one little tallow in the middle of a large hall, and it will give a good deal of light.
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