A Quote by Howard Rheingold

Of course, with agriculture came the first big civilizations, the first cities built of mud and brick, the first empires. And it was the administers of these empires who began hiring people to keep track of the wheat and sheep and wine that was owed and the taxes that was owed on them by making marks; marks on clay in that time.
I owed it to my father that I was elected to Parliament in the first place, but I owed it to my mother that I stuck it out once I got there.
In trading with each other cities can't be in too different stages of development, and they can't copy one another. Backward cities, or younger cities, or newly forming cities in supply regions, have to develop to a great extent on one another's shoulders. This is one of the terrible things about empires. Empires want them only to trade with the empire, which doesn't help them at all. It's just a way of exploiting them.
From the time I can first recall the rain falling on the red clay in Florida. I wanted to make things. When my brothers and sisters were making mud pies, I would be making ducks and chickens with the mud.
Historical chronology, human or geological, depends... upon comparable impersonal principles. If one scribes with a stylus on a plate of wet clay two marks, the second crossing the first, another person on examining these marks can tell unambiguously which was made first and which second, because the latter event irreversibly disturbs its predecessor. In virtue of the fact that most of the rocks of the earth contain imprints of a succession of such irreversible events, an unambiguous working out of the chronological sequence of these events becomes possible.
When I first starting making money, when I first made my first six-digits, I was - my big thing was I went to put super unleaded in my truck for the first time.
The Democrat Party were gonna show Hillary Clinton gratitude. There might even be some people who actually think she's gonna be a good president, too. But for the most part it was they owed her. They owed her big time. They still do, and so does he.
And I'm sort of deconstructing the process of what marks came first, what came later. Every aspect of the image is interesting to me to dissect and understand.
Now he began to see for the first time the unbelievable magnitude of what man, when he gained power to understand and rule the world in terms of dialectic truths, had lost. He had built empires of scientific capability to manipulate the phenomena of nature into enormous manifestations of his own dreams of power and wealth...but for this he had exchanged an empire of understanding of equal magnitude: an understanding of what it is to be a part of the world, and not an enemy of it.
Anything less than total candor was bullshit. I owed that to my readers, I owed that to myself, and I owed that most specifically to my mother. I've had some thrilling moments in my 18-year literary career to this point, and nothing comes close to giving Geneva Hilliker Ellroy, the farm girl from Tunnel City, Wisconsin, to the world.
Upon the first goblet he read this inscription, monkey wine; upon the second, lion wine; upon the third, sheep wine; upon the fourth, swine wine. These four inscriptions expressed the four descending degrees of drunkenness: the first, that which enlivens; the second, that which irritates; the third, that which stupefies; finally the last, that which brutalizes.
Agriculture seems to be the first pursuit of civilized man. It enables him to escape from the life of the savage, and wandering shepherd, into that of social man, gathered into fixed communities and surrounding himself with the comforts and blessings of neighborhood, country, and home. It is agriculture alone, that fixes men in stationary dwellings, in villages, in towns, and cities, and enables the work of civilizations, in all its branches, to go on.
My own ideas on the mechanism of catalytic phenomena were very different from those at one time commonly held, ideas which I no doubt owed to the influence of the illustrious teacher who had guided my first steps in chemistry nearly twenty years before - I refer, of course, to Berthelot.
The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.
I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
Political institutions, no matter how well or badly designed, depend for continued existence upon acting men; their conservation is achieved by the same means that brought them into being. Independent existence marks the work of art as a product of making; utter dependence upon further acts to keep it in existence marks the state as a product of action.
No first step can be really great; it must of necessity possess more of prophecy than of achievement; nevertheless it is by the first step that a man marks the value, not only of his cause, but of himself.
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