A Quote by Howard Schultz

I always saw myself wanting to do something deemed successful and good at the same time. — © Howard Schultz
I always saw myself wanting to do something deemed successful and good at the same time.
I saw myself. . . in the time I watched, I saw strength and frailty, pride and vanity, courage and fear. Of wisdom, a little. Of folly much. Of intentions many good ones; but many more left undone. On this alas, I saw myself a man like any other. But this too I saw . . . Alike as men may seem, each is different as flakes of snow, no two the same.You told me you had no need to seek the Mirror, knowing you were Annlaw Clay-Shaper. Now I know who I am: myself and none other. I am Taran.
Every time I see a good play or watch a good movie, I have the same feeling I had as a child of wanting to be that person on stage or wanting to run through the forest with a big dress on.
The biggest challenge of my career has been wanting to do EVERYTHING! I always say I wish I could clone myself so that I could do everything for work and be a full-time mommy at the same time, and I know that so many women feel the same way. It has been a challenge for me to step back, take a moment to breathe, and to accept the fact that I logistically just cannot do everything and be everywhere at the same time.
I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.
You see it is important to understand how damaged people don't always know how to say yes, or to choose the big thing, even when it is right in front of them. It's a shame we carry. The shame of wanting something good. The shame of feeling something good. The shame of not believing we deserve to stand in the same room in the same way as all those we admire. Big red As on our chests.
As an actress, nobody is sure these days whether something is going to be successful or not. I tried to always have a good time on set because of that reason. Even if people didn't like it, at least you had a good time.
I was just thinking about my own natural way of one-night stands: always wanting to be more attached to something. I'm not very good at detaching myself.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
I have one very basic rule when it comes to "good ideas". A good idea is not an idea that solves a problem cleanly. A good idea is an idea that solves several things at the same time. The mark of good coding is not that the program does what you want, it's that it also does something that you didn't start out wanting.
My philosophy has always been to try to put myself into roles and films that are different. That intensified after 'Lord of the Rings' because it was so massive, but it's something I've always believed in - wanting to change people's perceptions and challenge myself as an actor.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
I had always been troubled by the liberal paradox of wanting everyone to be treated the same, while at the same time respecting their cultural differences.
I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
You're always as good as your last movie and that's the same with politics. If you are successful with a certain policy, then you're hot; if you're successful with the economy, or bringing down the unemployment rate, then you're hot. But if you're not successful, then things go south very quickly.
To throw in a fair game at Hazards only three-spots, when something great is at stake, or some business is the hazard, is a natural occurrence and deserves to be so deemed; and even when they come up the same way for a second time if the throw be repeated. If the third and fourth plays are the same, surely there is occasion for suspicion on the part of a prudent man.
As a manager, if I saw a female on the line for my match, that would not worry me in the slightest. To get to that level, it means they are deemed to be good enough.
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