A Quote by Howard Shore

I live in Tuxedo Park, N.Y. and spend time in the West Village, where my wife Elizabeth Cotnoir, a writer-producer and documentary filmmaker, has an office. — © Howard Shore
I live in Tuxedo Park, N.Y. and spend time in the West Village, where my wife Elizabeth Cotnoir, a writer-producer and documentary filmmaker, has an office.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
I've never seen myself as a documentary filmmaker. I see myself as a filmmaker, period, and I am interested in drama as well as in documentary.
I actually chose to do 'X-Men' because I'm working with Simon Kinberg, who's also a first-time filmmaker who I met on 'The Martian' and is an incredible writer and producer.
I never intended to be a documentary filmmaker. I think I became a documentary filmmaker because I had trouble writing, and I had trouble finishing things.
When I'm not singing, I'm a lot of persons: I'm a producer. I'm a badminton player. I'm a writer. I'm a movie freak. I'm a documentary maker.
I grew up in a quiet suburb in South Texas, and loved the in-your-faceness of the East Village. In the early days, when I was still unemployed, I'd lie on a bench in Tompkins Square Park perusing the listings in the 'Village Voice' for a place to live.
As a documentary filmmaker, 'Meru' was an irresistible challenge. You can spend years searching for the right story, but this one had all the elements: the obstacles, the characters, and the drama.
My wife and I always comment that our lives are relatively mundane. She's a writer as well, I'm a writer, we spend most of our time writing, and kind of going to yoga in Brooklyn.
I don't think of myself as a producer. In television, it's part of the business - if you progress and become successful as a writer, you're called a writer-producer. What that means is that you have a lot of say in casting and behind-the-scenes stuff. But I'm just a writer.
Whatever storytelling muscles you've developed as a documentary filmmaker will be extremely helpful as a narrative filmmaker.
My plan after office is to get up and spend that entire first day helping my wife move into her new senatorial office.
I have major credibility as a hip, out-there documentary filmmaker, and I'm not going to say, 'I'm only a drama filmmaker' anymore.
In Austin, you work in anything that will pay and a lot of things that don't. The documentary filmmaker may also be a gaffer on a feature and producer for a commercial series and web host. Everyone just does a little bit of everything, and you have to because it's a secondary market.
My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
I'm not a full-fledged producer, but I can be one if I want to really spend my time on straight being a producer.
I watch college basketball and sports in general. I'm also a runner. I live on the Upper West Side of Manhattan near Central Park, so I try to squeeze in runs through Central Park when I can.
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